Photographs for the production ofA Man for all Seasonstaken by Donald Cooper

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Young Vic Theatre Company ArchiveTHM/367

Young Vic Company Management RecordsTHM/367/1

Young Vic Artistic Management RecordsTHM/367/2

Young Vic PhotographsTHM/367/3

Young Vic production photographsTHM/367/3/1

Photographs for the production of Oedipus taken by Reg WilsonTHM/367/3/1/1

Photographs for the production of Waiting for Godot taken by Geoffrey GaleTHM/367/3/1/2

Photographs for the production of Timesneeze taken by Geoffrey GaleTHM/367/3/1/3

Photographs for the production of King Stag taken by Reg WilsonTHM/367/3/1/4

Photographs for the production of Endgame taken by Reg WilsonTHM/367/3/1/5

Photographs for the production of Little Malcolm taken by Reg WilsonTHM/367/3/1/6

Photographs for the production of The Comedy of ErrorsTHM/367/3/1/7

Photographs for the production of The Painters taken by Reg WilsonTHM/367/3/1/8

Photographs for the production of Happy Days taken by Reg WilsonTHM/367/3/1/9

Photographs for the production of Chairs taken by Reg WilsonTHM/367/3/1/10

Photographs for the production of The Shadow of a Gunman taken by Reg WilsonTHM/367/3/1/11

Photographs for the production of The Dwarfs and The Wound taken by Reg WilsonTHM/367/3/1/12

Photographs for the production of Julius Caesar taken by Reg WilsonTHM/367/3/1/13

Photographs for the production of Epitaph for George Dillon taken by Reg WilsonTHM/367/3/1/14

Photographs for the production of Look Back in Anger taken by Reg WilsonTHM/367/3/1/15

Photographs for the production of Fantastic FairgroundTHM/367/3/1/16

Photographs for the production of A Taste of Honey taken by Reg WilsonTHM/367/3/1/17

Photographs for the production of Krapp's Last TapeTHM/367/3/1/18

Photographs for the production of The Caretaker taken by Reg WilsonTHM/367/3/1/19

Photographs for the production of The Incredible Vanishing taken by Peggy LederTHM/367/3/1/20

Photographs for the production of Humble Dog taken by Shuhei IwamotoTHM/367/3/1/21

Photographs for the production of The Statues in Room 13 taken by Reg WilsonTHM/367/3/1/22

Photographs for the production of Rosencrantz and Guildenstern are Dead taken by Reg WilsonTHM/367/3/1/23

Photographs for the production of Tommy ThumbTHM/367/3/1/24

Photographs for the production of The Spellbound Squire taken by Nobby ClarkTHM/367/3/1/25

Photographs for the production of Roots taken by Nobby ClarkTHM/367/3/1/26

Photographs for the production of Two Gentlemen of Verona taken by Shuhei IwamotoTHM/367/3/1/27

Photographs for the production of Othello taken by Laurie AspreyTHM/367/3/1/28

Photographs for the production of The Architect and Emperor of Assyria taken by Shuhei IwamotoTHM/367/3/1/29

Photographs for the production of Charley's Aunt taken by Shuhei IwamotoTHM/367/3/1/30

Photographs for the production of As You Like It taken by Donald CooperTHM/367/3/1/31

Photographs for the production of Stamp and DeliverTHM/367/3/1/32

Photographs for the production of Dream PeopleTHM/367/3/1/33

Photographs for the production of A Man for all Seasons taken by Donald CooperTHM/367/3/1/34

Photographs for the production of ChileTHM/367/3/1/35

Photographs for the production of The Real Inspector Hound and If You'll be Glad, I'll be Frank taken by Donald CooperTHM/367/3/1/36

Photographs for the production of Humble Dog taken by Reg WilsonTHM/367/3/1/37

Photographs for the production of The Awesome World of Henry PilkTHM/367/3/1/38

Photographs for the production of The Importance of Being ErnestTHM/367/3/1/39

Photographs for the production of Romeo and Juliet taken by Donald CooperTHM/367/3/1/40

Photographs for the production of Jericho taken by Shuhei IwamotoTHM/367/3/1/41

Photographs for the production of Tobias and the Angel taken by Shuhei IwamotoTHM/367/3/1/42

Photographs for the production of Rosencrantz and Guildenstern are Dead (British Tour) taken by Shuhei IwamotoTHM/367/3/1/43

Photographs for the production of A Christmas CarolTHM/367/3/1/44

Photographs for the production of Crossfire: The Actress and The Bishop and Gross Prophet taken by Shuhei IwamotoTHM/367/3/1/45

Photographs for the production of Twelfth Night taken by Donald CooperTHM/367/3/1/46

Photographs for the production of The Bozo taken by Daniele LaruelleTHM/367/3/1/47

Photographs for the production of The Action Man Trilogy taken by Donald CooperTHM/367/3/1/48

Photographs for the production of Gone in JanuaryTHM/367/3/1/49

Photographs for the production of Rosencrantz and Guildestern are Dead taken by Shuhei IwamotoTHM/367/3/1/50

Photographs for the production of BallroomTHM/367/3/1/51

Photographs for the production of Bartholomew Fair taken by Donald CooperTHM/367/3/1/52

Photographs for the production of Tumalty's Adventures at the Fair taken by Donald CooperTHM/367/3/1/53

Photographs for the production of TransformationsTHM/367/3/1/54

Photographs for the production of Hiawatha taken by Mike LayoTHM/367/3/1/55

Photographs for the production of Rumpelstiltskin taken by Mike LayoTHM/367/3/1/56

Photographs for the production of What The Butler Saw taken by Donald CooperTHM/367/3/1/57

Photographs for the production of The Hunchback of Notre Dame taken by Laurence BurnsTHM/367/3/1/58

Photographs for the production of Sherlock Holmes taken by Alex Von KottlitzTHM/367/3/1/59

Photographs for the production of The Merchant of VeniceTHM/367/3/1/60

Photographs for the production of Class EnemyTHM/367/3/1/61

Photographs for the production of The Ancient Mariner taken by Laurence BurnsTHM/367/3/1/62

Photographs for the production of Faust taken by Nobby ClarkTHM/367/3/1/63

Photographs for the production of The Merchant of Venice taken by Donald CooperTHM/367/3/1/64

Photographs for the production of Look Back in Anger taken by Donald CooperTHM/367/3/1/65

Photographs for the production of Night Child taken by Roger de WolfTHM/367/3/1/66

Photographs for the production of Start Right taken by Christopher PearceTHM/367/3/1/67

Photographs for the production of Rosencrantz and Guildenstern are Dead taken by Christopher PearceTHM/367/3/1/68

Photographs for the production of The Real Inspector Hound taken by Christopher PearceTHM/367/3/1/69

Photographs for the production of After Magritte taken by Christopher PearceTHM/367/3/1/70

Photographs for the production of Gloo Joo taken by Nobby ClarkTHM/367/3/1/71

Photographs for the production of Dracula taken by Donald CooperTHM/367/3/1/72

Photographs for the production of Snakes and LaddersTHM/367/3/1/73

Photographs for the production of Pygmalion taken by Donald CooperTHM/367/3/1/74

Photographs for the production of WhaamTHM/367/3/1/75

Photographs for the production of The Winter's Tale taken by Donald CooperTHM/367/3/1/76

Photographs for the production of Trickster's Last Throw taken by Donald CooperTHM/367/3/1/77

Photographs for the production of Richard IITHM/367/3/1/78

Photographs for the production of Godspell taken by Nobby ClarkTHM/367/3/1/79

Photographs for the production of John Mortimer's Casebook taken by Donald CooperTHM/367/3/1/80

Photographs for the production of Romeo and JulietTHM/367/3/1/81

Photographs for the production of Marino Faliero taken by Donald CooperTHM/367/3/1/82

Photographs for the production of Othello taken by Donald CooperTHM/367/3/1/83

Photographs for the production of The Merchant of Venice taken by Donald Cooper and David LiddleTHM/367/3/1/84

Photographs for the production of Robin HoodTHM/367/3/1/85

Photographs for the production of Hamlet taken by Donald CooperTHM/367/3/1/86

Photographs for the production of The Last Lollop or Play ExtinctTHM/367/3/1/87

Photographs for the production of GodspellTHM/367/3/1/88

Photographs for the production of The Caretaker taken by Nobby ClarkTHM/367/3/1/89

Photographs for the production of John, Paul, George, Ringo... and BertTHM/367/3/1/90

Photographs for the production of Our Day Out taken by Nobby ClarkTHM/367/3/1/91

Photographs for the production of Words Louder than Action taken by Conrad BlakemoreTHM/367/3/1/92

Photographs for the production of The Duenna taken by Zoe DominicTHM/367/3/1/93

Photographs for the production of Twelfth Night taken by Nobby ClarkTHM/367/3/1/94

Photographs for the production of Jactito PuppetsTHM/367/3/1/95

Photographs for the production of Antony and Cleopatra taken by Nobby ClarkTHM/367/3/1/96

Photographs for the production of Othello taken by Donald CooperTHM/367/3/1/97

Photographs for the production of A Jail Diary of Albie Sachs taken by Alastair MuirTHM/367/3/1/98

Photographs for the production of No Pasaran taken by Alastair MuirTHM/367/3/1/99

Photographs for the production of Stags and Hens taken by Donald CooperTHM/367/3/1/100

Photographs for the production of Flashpoint taken by Alastair MuirTHM/367/3/1/101

Photographs for the production of Macbeth taken by Alastair Muir and Vincent ShawTHM/367/3/1/102

Photographs for the production of A View from a Bridge taken by Alastair MuirTHM/367/3/1/103

Photographs for the production of Jack and the BeanstalkTHM/367/3/1/104

Photographs for the production of The Enemies WithinTHM/367/3/1/105

Photographs for the production of Measure for Measure taken by Donald CooperTHM/367/3/1/106

Photographs for the production of Hamlet taken by Donald CooperTHM/367/3/1/107

Photographs for the production of What a Way to Run a Revolution taken by Alastair MuirTHM/367/3/1/108

Photographs for the production of MedeaTHM/367/3/1/109

Photographs for the production of A Midsummer Night's DreamTHM/367/3/1/110

Photographs for the production of Romeo and JulietTHM/367/3/1/111

Photographs for GhostsTHM/367/3/1/112

Photographs for the production of No Worries (second run) taken by Gordon RainsfordTHM/367/3/1/113

Photographs for the production of ComediansTHM/367/3/1/114

Photographs for the production of Romeo and Juliet taken by Sheila BurnettTHM/367/3/1/115

Photographs for the production of Owners taken by Gordon RainsfordTHM/367/3/1/116

Photographs for the production of Measure for MeasureTHM/367/3/1/117

Photographs for the production of A Enemy of the People taken by Shelia BurnettTHM/367/3/1/118

Photographs for the production of A Christmas Carol taken by Carol BaughTHM/367/3/1/119

Photographs for the production of Waiting for GodotTHM/367/3/1/120

Photographs for the production of Coriolanus taken by Gordon RainsfordTHM/367/3/1/121

Photographs for the production of From the Mississipi Delta taken by Sheila BurnettTHM/367/3/1/122

Photographs for the production of Can't Pay?, Wont Pay! taken by Gordon RainsfordTHM/367/3/1/123

Photographs for the production of Solomon and the Big CatTHM/367/3/1/124

Photographs for the production of The Glass Menagerie taken by Gordon RainsfordTHM/367/3/1/125

Photographs for the production of Two Way Mirror taken by Emily AndersonTHM/367/3/1/126

Photographs for the production of A Christmas Carol taken by Carol BaughTHM/367/3/1/127

Photographs for the production of The Price taken by Gordon RainsfordTHM/367/3/1/128

Photographs for the production of The Gov'norTHM/367/3/1/129

Photographs of Wesker's WomenTHM/367/3/1/130

Photographs for the production of Anna Christie taken by Dee ConwayTHM/367/3/1/131

Photographs for the production of The Man Who Had All The Luck taken by Gordon RainsfordTHM/367/3/1/132

Photographs for the production of To taken by Arthur and Neil ThompsonTHM/367/3/1/133

Photographs for the production of My Name Shall I Tell You My Name taken by Yvette CamposTHM/367/3/1/134

Photographs for the production of The Plough and the Stars taken by Gordon Rainsford as well as several other photographersTHM/367/3/1/135

Photographs for the production of Sex Please, We're Italian! taken by Mark DouetTHM/367/3/1/136

Photographs for the production of A Winter's Tale taken by Gordon Rainsford as well as a number of other photographersTHM/367/3/1/137

Photographs for the production of Thesésé RaquinTHM/367/3/1/138

Photographs for the production of Timon of AthensTHM/367/3/1/139

Photographs for the production of Snow QueenTHM/367/3/1/140

Photographs for the production of All my Sons taken by Alastair MuirTHM/367/3/1/141

Photographs for the production of Rosmersholm taken by Simon AnnandTHM/367/3/1/142

Photographs for the production of In the Midnight Hour taken by Gordon RainsfordTHM/367/3/1/143

Photographs for the production of Macbeth and MetamorphosisTHM/367/3/1/144

Photographs for ShabbashTHM/367/3/1/145

Photographs for the production of The Last Yankee taken by Alastair Muir and Gordon RainsfordTHM/367/3/1/146

Photographs for the production of The Iron Man taken by Alastair MuirTHM/367/3/1/147

Photographs for the production of Omma: Oedipus and the Luck of ThebesTHM/367/3/1/148

Photographs for the production of HamletTHM/367/3/1/149

Photographs for the production of The Slab Boys Trilogy taken by Billy CooperTHM/367/3/1/150

Photographs for the production of Beauty and the BeastTHM/367/3/1/151

Photographs for the production of American Buffalo taken by John HaynesTHM/367/3/1/152

Photographs for the production of Arabian NightsTHM/367/3/1/153

Photographs for the production of HonestlyTHM/367/3/1/154

Photographs for the production of Running TimeTHM/367/3/1/155

Photographs for the production of Three MusketeersTHM/367/3/1/156

Photographs for the production of HamletTHM/367/3/1/157

Photographs for the production of The Man With The Absurdly Large PenisTHM/367/3/1/158

Photographs from the production of Body of a WomanTHM/367/3/1/159

Photographs for the production of Homebody/KabulTHM/367/3/1/160

Photographs for the production of Beauty SleepsTHM/367/3/1/161

Photographs for the production of Sleeping BeautyTHM/367/3/1/162

Photographs for the production of Aladdin taken by Carolyn JohnsTHM/367/3/1/163

Photographs for the production of Campaign Festival taken by Gordon RainsfordTHM/367/3/1/164

Photographs for the production of Educating Rita taken by Gordon RainsfordTHM/367/3/1/165

Photographs for the production of Hamlet and Richard III taken by Donald CooperTHM/367/3/1/166

Photographs for the production of William taken by Gordon RainsfordTHM/367/3/1/167

Young Vic Youth Theatre photographsTHM/367/3/2

Photographs relating to other productionsTHM/367/3/3

Photographs from unknown productions at the Young VicTHM/367/3/4

Non-production related photographsTHM/367/3/5

Young Vic Literary Department RecordsTHM/367/4

Young Vic Multimedia MaterialTHM/367/5

Young Vic Press and Marketing Material.THM/367/6