Archives Hub
About
Coverage
Features
Researching
Contributing
1.1.0.7
Search
Help
Access to Materials
Menu
About
Coverage
Features
Researching
Contributing
Search
Help
Access to Materials
Back to Search
Within
New Search
Search
Young Vic Theatre Company Archive
Young Vic Photographs
Young Vic production photographs
Photographs for the production of Sex Please, We're Italian! taken by Mark Douet
Previous
Next
Photographs for the production of
Sex Please, We're Italian!
taken by Mark Douet
Archive Unit
For more information,
email the repository
Advice on
accessing these materials
Cite this description
Bookmark:
http://archiveshub.jisc.ac.uk/data/gb71-thm/367/thm/367/3/1/136
This material is held at
V&A Theatre and Performance Collections
Reference
GB 71 THM/367/3/1/136
Dates of Creation
06/1991-07/1991
Physical Description
2 folders
Physical Characteristics and/or Technical Requirements
A number of photographs within folder 1 of 2 are stuck together.
One folder oversized.
Archive Record
|
Table of contents
Table of contents
Expanded
Young Vic Theatre Company Archive
THM/367
Young Vic Company Management Records
THM/367/1
Young Vic Artistic Management Records
THM/367/2
Young Vic Photographs
THM/367/3
Young Vic production photographs
THM/367/3/1
Photographs for the production of Oedipus taken by Reg Wilson
THM/367/3/1/1
Photographs for the production of Waiting for Godot taken by Geoffrey Gale
THM/367/3/1/2
Photographs for the production of Timesneeze taken by Geoffrey Gale
THM/367/3/1/3
Photographs for the production of King Stag taken by Reg Wilson
THM/367/3/1/4
Photographs for the production of Endgame taken by Reg Wilson
THM/367/3/1/5
Photographs for the production of Little Malcolm taken by Reg Wilson
THM/367/3/1/6
Photographs for the production of The Comedy of Errors
THM/367/3/1/7
Photographs for the production of The Painters taken by Reg Wilson
THM/367/3/1/8
Photographs for the production of Happy Days taken by Reg Wilson
THM/367/3/1/9
Photographs for the production of Chairs taken by Reg Wilson
THM/367/3/1/10
Photographs for the production of The Shadow of a Gunman taken by Reg Wilson
THM/367/3/1/11
Photographs for the production of The Dwarfs and The Wound taken by Reg Wilson
THM/367/3/1/12
Photographs for the production of Julius Caesar taken by Reg Wilson
THM/367/3/1/13
Photographs for the production of Epitaph for George Dillon taken by Reg Wilson
THM/367/3/1/14
Photographs for the production of Look Back in Anger taken by Reg Wilson
THM/367/3/1/15
Photographs for the production of Fantastic Fairground
THM/367/3/1/16
Photographs for the production of A Taste of Honey taken by Reg Wilson
THM/367/3/1/17
Photographs for the production of Krapp's Last Tape
THM/367/3/1/18
Photographs for the production of The Caretaker taken by Reg Wilson
THM/367/3/1/19
Photographs for the production of The Incredible Vanishing taken by Peggy Leder
THM/367/3/1/20
Photographs for the production of Humble Dog taken by Shuhei Iwamoto
THM/367/3/1/21
Photographs for the production of The Statues in Room 13 taken by Reg Wilson
THM/367/3/1/22
Photographs for the production of Rosencrantz and Guildenstern are Dead taken by Reg Wilson
THM/367/3/1/23
Photographs for the production of Tommy Thumb
THM/367/3/1/24
Photographs for the production of The Spellbound Squire taken by Nobby Clark
THM/367/3/1/25
Photographs for the production of Roots taken by Nobby Clark
THM/367/3/1/26
Photographs for the production of Two Gentlemen of Verona taken by Shuhei Iwamoto
THM/367/3/1/27
Photographs for the production of Othello taken by Laurie Asprey
THM/367/3/1/28
Photographs for the production of The Architect and Emperor of Assyria taken by Shuhei Iwamoto
THM/367/3/1/29
Photographs for the production of Charley's Aunt taken by Shuhei Iwamoto
THM/367/3/1/30
Photographs for the production of As You Like It taken by Donald Cooper
THM/367/3/1/31
Photographs for the production of Stamp and Deliver
THM/367/3/1/32
Photographs for the production of Dream People
THM/367/3/1/33
Photographs for the production of A Man for all Seasons taken by Donald Cooper
THM/367/3/1/34
Photographs for the production of Chile
THM/367/3/1/35
Photographs for the production of The Real Inspector Hound and If You'll be Glad, I'll be Frank taken by Donald Cooper
THM/367/3/1/36
Photographs for the production of Humble Dog taken by Reg Wilson
THM/367/3/1/37
Photographs for the production of The Awesome World of Henry Pilk
THM/367/3/1/38
Photographs for the production of The Importance of Being Ernest
THM/367/3/1/39
Photographs for the production of Romeo and Juliet taken by Donald Cooper
THM/367/3/1/40
Photographs for the production of Jericho taken by Shuhei Iwamoto
THM/367/3/1/41
Photographs for the production of Tobias and the Angel taken by Shuhei Iwamoto
THM/367/3/1/42
Photographs for the production of Rosencrantz and Guildenstern are Dead (British Tour) taken by Shuhei Iwamoto
THM/367/3/1/43
Photographs for the production of A Christmas Carol
THM/367/3/1/44
Photographs for the production of Crossfire: The Actress and The Bishop and Gross Prophet taken by Shuhei Iwamoto
THM/367/3/1/45
Photographs for the production of Twelfth Night taken by Donald Cooper
THM/367/3/1/46
Photographs for the production of The Bozo taken by Daniele Laruelle
THM/367/3/1/47
Photographs for the production of The Action Man Trilogy taken by Donald Cooper
THM/367/3/1/48
Photographs for the production of Gone in January
THM/367/3/1/49
Photographs for the production of Rosencrantz and Guildestern are Dead taken by Shuhei Iwamoto
THM/367/3/1/50
Photographs for the production of Ballroom
THM/367/3/1/51
Photographs for the production of Bartholomew Fair taken by Donald Cooper
THM/367/3/1/52
Photographs for the production of Tumalty's Adventures at the Fair taken by Donald Cooper
THM/367/3/1/53
Photographs for the production of Transformations
THM/367/3/1/54
Photographs for the production of Hiawatha taken by Mike Layo
THM/367/3/1/55
Photographs for the production of Rumpelstiltskin taken by Mike Layo
THM/367/3/1/56
Photographs for the production of What The Butler Saw taken by Donald Cooper
THM/367/3/1/57
Photographs for the production of The Hunchback of Notre Dame taken by Laurence Burns
THM/367/3/1/58
Photographs for the production of Sherlock Holmes taken by Alex Von Kottlitz
THM/367/3/1/59
Photographs for the production of The Merchant of Venice
THM/367/3/1/60
Photographs for the production of Class Enemy
THM/367/3/1/61
Photographs for the production of The Ancient Mariner taken by Laurence Burns
THM/367/3/1/62
Photographs for the production of Faust taken by Nobby Clark
THM/367/3/1/63
Photographs for the production of The Merchant of Venice taken by Donald Cooper
THM/367/3/1/64
Photographs for the production of Look Back in Anger taken by Donald Cooper
THM/367/3/1/65
Photographs for the production of Night Child taken by Roger de Wolf
THM/367/3/1/66
Photographs for the production of Start Right taken by Christopher Pearce
THM/367/3/1/67
Photographs for the production of Rosencrantz and Guildenstern are Dead taken by Christopher Pearce
THM/367/3/1/68
Photographs for the production of The Real Inspector Hound taken by Christopher Pearce
THM/367/3/1/69
Photographs for the production of After Magritte taken by Christopher Pearce
THM/367/3/1/70
Photographs for the production of Gloo Joo taken by Nobby Clark
THM/367/3/1/71
Photographs for the production of Dracula taken by Donald Cooper
THM/367/3/1/72
Photographs for the production of Snakes and Ladders
THM/367/3/1/73
Photographs for the production of Pygmalion taken by Donald Cooper
THM/367/3/1/74
Photographs for the production of Whaam
THM/367/3/1/75
Photographs for the production of The Winter's Tale taken by Donald Cooper
THM/367/3/1/76
Photographs for the production of Trickster's Last Throw taken by Donald Cooper
THM/367/3/1/77
Photographs for the production of Richard II
THM/367/3/1/78
Photographs for the production of Godspell taken by Nobby Clark
THM/367/3/1/79
Photographs for the production of John Mortimer's Casebook taken by Donald Cooper
THM/367/3/1/80
Photographs for the production of Romeo and Juliet
THM/367/3/1/81
Photographs for the production of Marino Faliero taken by Donald Cooper
THM/367/3/1/82
Photographs for the production of Othello taken by Donald Cooper
THM/367/3/1/83
Photographs for the production of The Merchant of Venice taken by Donald Cooper and David Liddle
THM/367/3/1/84
Photographs for the production of Robin Hood
THM/367/3/1/85
Photographs for the production of Hamlet taken by Donald Cooper
THM/367/3/1/86
Photographs for the production of The Last Lollop or Play Extinct
THM/367/3/1/87
Photographs for the production of Godspell
THM/367/3/1/88
Photographs for the production of The Caretaker taken by Nobby Clark
THM/367/3/1/89
Photographs for the production of John, Paul, George, Ringo... and Bert
THM/367/3/1/90
Photographs for the production of Our Day Out taken by Nobby Clark
THM/367/3/1/91
Photographs for the production of Words Louder than Action taken by Conrad Blakemore
THM/367/3/1/92
Photographs for the production of The Duenna taken by Zoe Dominic
THM/367/3/1/93
Photographs for the production of Twelfth Night taken by Nobby Clark
THM/367/3/1/94
Photographs for the production of Jactito Puppets
THM/367/3/1/95
Photographs for the production of Antony and Cleopatra taken by Nobby Clark
THM/367/3/1/96
Photographs for the production of Othello taken by Donald Cooper
THM/367/3/1/97
Photographs for the production of A Jail Diary of Albie Sachs taken by Alastair Muir
THM/367/3/1/98
Photographs for the production of No Pasaran taken by Alastair Muir
THM/367/3/1/99
Photographs for the production of Stags and Hens taken by Donald Cooper
THM/367/3/1/100
Photographs for the production of Flashpoint taken by Alastair Muir
THM/367/3/1/101
Photographs for the production of Macbeth taken by Alastair Muir and Vincent Shaw
THM/367/3/1/102
Photographs for the production of A View from a Bridge taken by Alastair Muir
THM/367/3/1/103
Photographs for the production of Jack and the Beanstalk
THM/367/3/1/104
Photographs for the production of The Enemies Within
THM/367/3/1/105
Photographs for the production of Measure for Measure taken by Donald Cooper
THM/367/3/1/106
Photographs for the production of Hamlet taken by Donald Cooper
THM/367/3/1/107
Photographs for the production of What a Way to Run a Revolution taken by Alastair Muir
THM/367/3/1/108
Photographs for the production of Medea
THM/367/3/1/109
Photographs for the production of A Midsummer Night's Dream
THM/367/3/1/110
Photographs for the production of Romeo and Juliet
THM/367/3/1/111
Photographs for Ghosts
THM/367/3/1/112
Photographs for the production of No Worries (second run) taken by Gordon Rainsford
THM/367/3/1/113
Photographs for the production of Comedians
THM/367/3/1/114
Photographs for the production of Romeo and Juliet taken by Sheila Burnett
THM/367/3/1/115
Photographs for the production of Owners taken by Gordon Rainsford
THM/367/3/1/116
Photographs for the production of Measure for Measure
THM/367/3/1/117
Photographs for the production of A Enemy of the People taken by Shelia Burnett
THM/367/3/1/118
Photographs for the production of A Christmas Carol taken by Carol Baugh
THM/367/3/1/119
Photographs for the production of Waiting for Godot
THM/367/3/1/120
Photographs for the production of Coriolanus taken by Gordon Rainsford
THM/367/3/1/121
Photographs for the production of From the Mississipi Delta taken by Sheila Burnett
THM/367/3/1/122
Photographs for the production of Can't Pay?, Wont Pay! taken by Gordon Rainsford
THM/367/3/1/123
Photographs for the production of Solomon and the Big Cat
THM/367/3/1/124
Photographs for the production of The Glass Menagerie taken by Gordon Rainsford
THM/367/3/1/125
Photographs for the production of Two Way Mirror taken by Emily Anderson
THM/367/3/1/126
Photographs for the production of A Christmas Carol taken by Carol Baugh
THM/367/3/1/127
Photographs for the production of The Price taken by Gordon Rainsford
THM/367/3/1/128
Photographs for the production of The Gov'nor
THM/367/3/1/129
Photographs of Wesker's Women
THM/367/3/1/130
Photographs for the production of Anna Christie taken by Dee Conway
THM/367/3/1/131
Photographs for the production of The Man Who Had All The Luck taken by Gordon Rainsford
THM/367/3/1/132
Photographs for the production of To taken by Arthur and Neil Thompson
THM/367/3/1/133
Photographs for the production of My Name Shall I Tell You My Name taken by Yvette Campos
THM/367/3/1/134
Photographs for the production of The Plough and the Stars taken by Gordon Rainsford as well as several other photographers
THM/367/3/1/135
Photographs for the production of Sex Please, We're Italian! taken by Mark Douet
THM/367/3/1/136
Photographs for the production of A Winter's Tale taken by Gordon Rainsford as well as a number of other photographers
THM/367/3/1/137
Photographs for the production of Thesésé Raquin
THM/367/3/1/138
Photographs for the production of Timon of Athens
THM/367/3/1/139
Photographs for the production of Snow Queen
THM/367/3/1/140
Photographs for the production of All my Sons taken by Alastair Muir
THM/367/3/1/141
Photographs for the production of Rosmersholm taken by Simon Annand
THM/367/3/1/142
Photographs for the production of In the Midnight Hour taken by Gordon Rainsford
THM/367/3/1/143
Photographs for the production of Macbeth and Metamorphosis
THM/367/3/1/144
Photographs for Shabbash
THM/367/3/1/145
Photographs for the production of The Last Yankee taken by Alastair Muir and Gordon Rainsford
THM/367/3/1/146
Photographs for the production of The Iron Man taken by Alastair Muir
THM/367/3/1/147
Photographs for the production of Omma: Oedipus and the Luck of Thebes
THM/367/3/1/148
Photographs for the production of Hamlet
THM/367/3/1/149
Photographs for the production of The Slab Boys Trilogy taken by Billy Cooper
THM/367/3/1/150
Photographs for the production of Beauty and the Beast
THM/367/3/1/151
Photographs for the production of American Buffalo taken by John Haynes
THM/367/3/1/152
Photographs for the production of Arabian Nights
THM/367/3/1/153
Photographs for the production of Honestly
THM/367/3/1/154
Photographs for the production of Running Time
THM/367/3/1/155
Photographs for the production of Three Musketeers
THM/367/3/1/156
Photographs for the production of Hamlet
THM/367/3/1/157
Photographs for the production of The Man With The Absurdly Large Penis
THM/367/3/1/158
Photographs from the production of Body of a Woman
THM/367/3/1/159
Photographs for the production of Homebody/Kabul
THM/367/3/1/160
Photographs for the production of Beauty Sleeps
THM/367/3/1/161
Photographs for the production of Sleeping Beauty
THM/367/3/1/162
Photographs for the production of Aladdin taken by Carolyn Johns
THM/367/3/1/163
Photographs for the production of Campaign Festival taken by Gordon Rainsford
THM/367/3/1/164
Photographs for the production of Educating Rita taken by Gordon Rainsford
THM/367/3/1/165
Photographs for the production of Hamlet and Richard III taken by Donald Cooper
THM/367/3/1/166
Photographs for the production of William taken by Gordon Rainsford
THM/367/3/1/167
Young Vic Youth Theatre photographs
THM/367/3/2
Photographs relating to other productions
THM/367/3/3
Photographs from unknown productions at the Young Vic
THM/367/3/4
Non-production related photographs
THM/367/3/5
Young Vic Literary Department Records
THM/367/4
Young Vic Multimedia Material
THM/367/5
Young Vic Press and Marketing Material.
THM/367/6