Margot Heinemann, review of Margaret Crosland, Beyond the Lighthouse: English Women Novelists in the Twentieth Century (London: Constable, 1981)

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Margot Heinemann, typescript of review of Margaret Crosland, Beyond the Lighthouse: English Women Novelists in the Twentieth Century (London: Constable, 1981

Archive Record|Table of contents

Margot Heinemann papersHEIN

Margot Heinemann: correspondenceHEIN/1

Margot Heinemann: literary, political and historical notesHEIN/2

Margot Heinemann: conference papersHEIN/3

Margot Heinemann: papers related to publicationsHEIN/4

Margot Heinemann, Britain’s Coal (London: Gollancz, 1944)HEIN/4/1

Margot Heinemann, The Adventurers (London: Lawrence & Wishart, 1960)HEIN/4/2

Noreen Branson and Margot Heinemann, Britain in the 1930s (London: Weidenfeld and Nicholson, 1971)HEIN/4/3

Jon Clark, Margot Heinemann, David Margolies, Carole Snee (eds), Culture and Crisis in Britain in the Thirties (London: Lawrence & Wishart, 1980)HEIN/4/4

Margot Heinemann, ‘The People’s Front and the Intellectuals', in Jim Fyrth (ed.), Britain, Fascism and the Popular Front (London: Lawrence & Wishart, 1987)HEIN/4/5

Margot Heinemann ‘Left Review, New Writing and the broad alliance against Fascism’, in Edward Timms and Peter Collier (eds), Visions and Blueprints: Avant-garde Culture and Radical Politics in Early Twentieth-century Europe (Manchester 1988)HEIN/4/6

Margot Heinemann, review of Margaret Crosland, Beyond the Lighthouse: English Women Novelists in the Twentieth Century (London: Constable, 1981)HEIN/4/7

Margot Heinemann, review of John McVeagh, Tradefull Merchants: The portrayal of the Capitalist in Literature (London: Routledge and Kegan Paul, 1981)HEIN/4/8

Margot Heinemann and William Thompson (eds), History and the Imagination: selected essays of AL Morton (London: Lawrence and Wishart 1990)HEIN/4/9

Margot Heinemann: Deutsche Shakespeare-Gesellschaft, published Weimar lecturesHEIN/4/10

Margot Heinemann, ‘How Brecht read Shakespeare’, in Political Shakespeare: New Essays in Cultural Imperialism, ed. Jonathan Dollimore and Alan Sinfield (Manchester University Press 1985)HEIN/4/11

Margot Heinemann, ‘Modern Brecht’—review of James Lyon, Bertolt Brecht in America (Princeton University Press 1981); Betty Weber and Hubert Heinen (eds), Bertolt Brecht: Political Theory and Literary Practice (Manchester University Press 1981); Jan Needs and Peter Thomson, Brecht (London: Blackwell 1981)HEIN/4/12

Margot Heinemann, ‘Brecht’s New Age’—review of John Willett, Brecht in Context: Comparative Approaches (London: Methuen 1983) and Ronald Hayman, Brecht: a Biography (London: Weidenfeld 1983)HEIN/4/13

Margot Heinemann, ‘Popular Drama and Leveller Style—Richard Overton and John Harris’, in Maurice Campbell Cornforth (ed.), Rebels and their Causes: essays in honour of AL Morton (London: Lawrence and Wishart 1978)HEIN/4/14

Margot Heinemann, Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts (Cambridge University Press 1980)HEIN/4/15

Margot Heinemann, ‘”God Help the Poor; the Rich can Shift”: The World turned Upside-Down and the Popular Tradition in the Theatre’, in Gordon McMullan and Jonathan Hope (eds), The Politics of Tragicomedy: Shakespeare and After (London: Routledge 1992)HEIN/4/16

Margot Heinemann, ‘Political Drama’ in Albert R. Braunmuller and Michael Hattaway (eds), The Cambridge Companion to English Renaissance Drama (Cambridge University Press 1990)HEIN/4/17

Margot Heinemann, ‘Drama and Opinion in the 1620s: Middleton and Massinger’ ‘Drama and Politics in the Crisis of the 1620s’, in JR Mulryne and Margaret Shewing (eds), Theatre and Government under the Early Stuarts (Cambridge University Press 1990)HEIN/4/18

Margot Heinemann, ‘Middleton’s A Game at Chess: Parliamentary-Puritans and Opposition Drama’, English Literary Renaissance, vol. 5 no. 2 (Spring 1975)HEIN/4/19

Margot Heinemann, ‘Rebel Lords, Popular Playwrights and Political Culture: Notes on the Jacobean Patronage of the Earl of Southampton’, Yearbook of English Studies, vol. 21 (1991)HEIN/4/20

Margot Heinemann, review of John G. Demaray, Milton’s Theatrical Epic: The Invention and Design of Paradise Lost (Harvard University Press 1980)HEIN/4/21

Margot Heinemann, review of Jerzy Limon, Dangerous Matter: English Drama and Politics 1623-1624 (Cambridge University Press 1986), Renaissance Quarterly Spring 1988HEIN/4/22

Proposal for a volume of essays edited by David Bevington, David L. Smith and Richard Strier, later published as The Theatrical City: Culture, Theatre and Politics in London, 1576-1649 (Cambridge 1995)HEIN/4/23

Proposed book later published as Douglas Howard (ed.), Philip Massinger: A Critical Reappraisal (Cambridge 1983):HEIN/4/24

Margot Heinemann: papers relating to 20th century social, political and cultural backgroundHEIN/5

Margot Heinemann: collected 20th century writingHEIN/6

Margot Heinemann: papers relating to communism and communistsHEIN/7

Margot Heinemann: papers relating to Bertolt Brecht and his workHEIN/8

Margot Heinemann: collected writing on ShakespeareHEIN/9

Margot Heinemann: collected writings on 16th and 17th century history and literatureHEIN/10

Margot Heinemann: unpublished work and related papersHEIN/11

Margot Heinemann: papers relating to television and theatre productionsHEIN/12

Margot Heinemann: collected writings about the Spanish Civil WarHEIN/13

Margot Heinemann: personal writing on herself and familyHEIN/14

Margot Heinemann: sundry items and artefactsHEIN/15