Correspondence between Maurice Wollman (Harraps) (Editor, Harrap book of modern verse ) and Philip Larkin seeking permission to include poems from The Less Deceived in Ten Contemporary Poets

Archive Unit

For more information, email the repository
Advice on accessing these materials
Cite this description
Bookmark:http://archiveshub.jisc.ac.uk/data/gb50-udpl/udpl2/3/45/26

This material is held at
Reference
Dates of Creation
Physical Description

Access Information

Access will be granted to any accredited reader

Archive Record|Table of contents

Papers of Philip Arthur LarkinU DPL

Poetry workbooksU DPL/1

Poetry typescriptsU DPL/2

Poetry publicationsU DPL/3

Prose and other manuscriptsU DPL/4

CorrespondenceU DPL/5

InterviewsU DPL/6

SpeechesU DPL/7

All Souls College, OxfordU DPL/8

PhotographsU DPL/9

MiscellaneousU DPL/10

Second DepositU DPL2

Manuscripts and related materialU DPL2/1

Correspondence filesU DPL2/2

Subject filesU DPL2/3

File. 'All What Jazz 1984'U DPL2/3/1

Artificial bundle. All What JazzU DPL2/3/2

File. 'Arts Council Literature Advisory Panel, 1980 - 1982'U DPL2/3/3

File. Arts Council Literature Advisory PanelU DPL2/3/4

File. 'Arts Council Poetry Panel' [National Manuscripts Collection of Contemporary Poets Committee]U DPL2/3/5

File. Arts CouncilU DPL2/3/6

File. Arts Council writers' bursariesU DPL2/3/7

Artificial file. Arvon Foundation Poetry CompetitionU DPL2/3/8

Artificial file. Authors' Lending and Copyright SocietyU DPL2/3/9

Artificial bundle. Martin BellU DPL2/3/10

File. Barry BloomfieldU DPL2/3/11

File. The Booker Prize for Literature 1977U DPL2/3/12

Files. British Library BoardU DPL2/3/13

File. British Library BoardU DPL2/3/14

File. Bain Dawes & Partners Ltd.U DPL2/3/15

File. 'Car'U DPL2/3/16

File. 'Comments on poems'U DPL2/3/17

File. CBEU DPL2/3/18

File. 'Compton Poetry Fund'U DPL2/3/19

Artificial bundle. ContributionsU DPL2/3/20

File. Companion of Literature AwardU DPL2/3/21

File. Coventry Award of MeritU DPL2/3/22

Artificial bundle. CricketU DPL2/3/23

File. Faber and FaberU DPL2/3/24

File. Faber and FaberU DPL2/3/25

File. FSSU vs. USS pension contributionsU DPL2/3/26

File. 'Jill: film and television rights'U DPL2/3/27

File. 'Hamburg' Shakespeare PrizeU DPL2/3/28

File. 'George Hartley (complaints against)'U DPL2/3/29

File. Thomas Hardy SocietyU DPL2/3/30

File. 'Thomas Hardy's death'U DPL2/3/31

File. 'High Windows'U DPL2/3/32

Artificial bundle. 'High Windows': reviewsU DPL2/3/33

File. Honorary Doctorate from Queen's University, BelfastU DPL2/3/34

File. 'Leicester, 1970'U DPL2/3/35

File. 'Sussex, 16.7.1974'U DPL2/3/36

Artificial bundle. 'Hull Daily Mail'U DPL2/3/37

File. Hull Daily Mail poetry competitionU DPL2/3/38

File. Humber BridgeU DPL2/3/39

Artificial bundle. InvitationsU DPL2/3/40

Artificial bundle. Jazz reviews and obituariesU DPL2/3/41

File. 'Larkinland'U DPL2/3/42

Bundle. Library Association Fellowship candidateU DPL2/3/43

File. Literary businessU DPL2/3/44

File. Literary businessU DPL2/3/45

Correspondence between Stewart Richardson (Editor, J B Lippicott Company, New York) and Philip Larkin suggesting a publication venture and discussing Kingsley AmisU DPL2/3/45/1

Correspondence between Lee Anderson (Yale University Department of English) and Philip Larkin inviting him to record his poetry for the Lee Anderson Collection of Recorded Poets of Yale UniversityU DPL2/3/45/2

Correspondence between Philip Larkin and Peter Watt (Literary Agent) about a proposed BBC dramatisation of A Girl in WinterU DPL2/3/45/3

Correspondence between Stewart Richardson (Editor, J B Lippicott Company, New York) and Philip Larkin inviting him to write a piece for New World WritingU DPL2/3/45/4

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin informing him about American interest in publishing The Less DeceivedU DPL2/3/45/5

Correspondence between Jason Epstein (Doubleday Press) and Philip Larkin about American interest in publishing The Less DeceivedU DPL2/3/45/6

Correspondence between A D Maclean (Macmillan) and Philip Larkin seeking permission to republish several poems in New LinesU DPL2/3/45/7

Correspondence between T M Cranfill and Philip Larkin asking him to contribute a poem to Texas Quarterly, with ts. poem, Talking in Bed, Philip LarkinU DPL2/3/45/8

Correspondence between Sylvia Patino (Editor, Audience, an American literary quarterly) and Philip Larkin asking him to be part of a special issue about English writersU DPL2/3/45/9

Correspondence between Donald Davie and Philip Larkin asking him to send a poem for the Poetry book Society Christmas Poetry SupplementU DPL2/3/45/10

Correspondence between Kenneth Allott (Department of English, University of Liverpool) and Philip Larkin seeking permission to include Church going, Whitsun weddings and Photograph album in a Penguin anthology of poetryU DPL2/3/45/11

Correspondence between Rollie McKenna (photographer) and Philip LarkinU DPL2/3/45/12

Correspondence between Donald Hall ( Paris Review ) and Philip Larkin seeking permission to publish poems in New Poets of England and AmericaU DPL2/3/45/13

Correspondence between Una B Jayne (Educational Section, Book Department, Odhams Press Ltd.) and Philip Larkin requesting permission to reprint Before tea and Faith healingU DPL2/3/45/14

Correspondence between Thomas Moult (Chairman, Editorial Board, Poetry Review ) and Philip Larkin asking him for a poemU DPL2/3/45/15

Correspondence between Helen Rogers (International PEN) and Philip Larkin seeking permission to include Ambulances in New Poems 1962U DPL2/3/45/16

Letters from Anna Chataway, (Guiness Poetry Award) to Philip Larkin seeking permission to include Ambulances in their volume of winning poemsU DPL2/3/45/17

Correspondence between from Robert Harben (Literary Agent) and Philip Larkin seeking permission to include An Arundel Tomb in a Dutch anthology of poetryU DPL2/3/45/18

Correspondence between Betty Mulcahy and Philip Larkin seeking permission to use Born Yesterday in a poetry tour organised by the Midlands Arts AssociationU DPL2/3/45/19

Correspondence between Louis Untermeyer and Philip Larkin seeking permission to use Coming, Next Please, No Road, Spring, Arrivals, Departures and Church Going in 'Modern American and Modern British Poetry'U DPL2/3/45/20

Correspondence between Douglas Day (Editor, Shenandoah ) and Philip Larkin asking him for a poemU DPL2/3/45/21

Correspondence between F E S Finn (John Murray) and Philip Larkin seeking permission to include An Arundel Tomb in the Albermarle Book of Modern VerseU DPL2/3/45/22

Correspondence between Donald Hall (University of Michigan) and Philip Larkin seeking permission to reprint Mr Bleaney in a text book anthology of English and American poetry (2)U DPL2/3/45/23

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin suggesting a tripartite book of Thom Gunn, Ted Hughes and Philip LarkinU DPL2/3/45/24

Correspondence between Charles Causley and Philip Larkin seeking permission to include At grass in Dawn and Dusk: poems of our time, chosen and introduced by Charles CausleyU DPL2/3/45/25

Correspondence between Maurice Wollman (Harraps) (Editor, Harrap book of modern verse ) and Philip Larkin seeking permission to include poems from The Less Deceived in Ten Contemporary PoetsU DPL2/3/45/26

Correspondence between the Director General (New Zealand Broadcasting Service) and Philip Larkin seeking permission to broadcast Poetry of DeparturesU DPL2/3/45/27

Correspondence between Helen Rogers (International PEN) and Philip Larkin seeking permission to use Spring in an anthology of verseU DPL2/3/45/28

Correspondence between Joseph Langland (Dial Press) and Philip Larkin asking him to select his favourite poemU DPL2/3/45/29

Correspondence between Margaret Wainwright (Assistant Editor, Arnold & Son Educational Publishers) and Philip Larkin seeking to include his photograph in an anthology of verseU DPL2/3/45/30

Correspondence between Mrs E M Fielding (Secretary, English Association) and Philip Larkin seeking permission to include Faith Healing, Church Going and Maiden Name in Poems of TodayU DPL2/3/45/31

Correspondence between Samuel Bossard (McGraw Hill Book Company) and Philip Larkin seeking permission to include Poetry of Departures, I See a Girl Dragged by Wrists and Church Going in Modern Poets: an American-British anthologyU DPL2/3/45/32

Correspondence between Helen Rogers (International PEN) and Philip Larkin seeking permission to include Nothing to be Said in New Poems 1963U DPL2/3/45/33

Correspondence between John Bell (Oxford University Press) and Philip Larkin seeking permission to keep the quotations which John Press used in his book Rule and EnergyU DPL2/3/45/34

Correspondence between T Kilmartin ( Observer ) and Philip Larkin thanking him for his review of Benny GreenU DPL2/3/45/35

Correspondence between Alan Ross ( London magazine ) and Philip Larkin asking him for a poemU DPL2/3/45/36

Correspondence between V C Clinton - Baddeley (Jupiter Recordings Ltd.) and Philip Larkin asking him to read Mr Bleaney and An Arundel Tomb for an anthology of twentieth century poetry cassetteU DPL2/3/45/37

Letter from John Donovan (St. Martin s Press, New York) and Philip LarkinU DPL2/3/45/38

Correspondence between L A Fletcher (Examinations Administrator, Guildhall School of Music) and Philip Larkin requesting permission to include An Arundel Tomb in anthology of Guildhall School of Music and Drama 1964/5 syllabusU DPL2/3/45/39

Correspondence between Ian Hamilton (Editor, Review ) and Philip Larkin asking him for a poemU DPL2/3/45/40

Correspondence between F A Jones (Australian Broadcasting Commission) and Philip Larkin seeking permission to broadcast Mr BleaneyU DPL2/3/45/41

Correspondence between William Park and Philip Larkin seeking permission to include Mr Bleaney in an anthology of the British and American poetsU DPL2/3/45/42

Correspondence between Chad Walsh and Philip Larkin seeking permission to use poems XXII and XXVII from The North Ship in Poets of CenturyU DPL2/3/45/43

Letter from L A Fletcher (Examinations Administrator, Guildhall School of Music) to Philip Larkin sending him a cheque for use of An Arundel TombU DPL2/3/45/44

Letter from Ian Hamilton (on behalf of New Society ) to Philip LarkinU DPL2/3/45/45

Letter from H W Burwood (Royalty Department, Faber and Faber) to Philip Larkin sending him a fee for the use of The Whitsun Weddings by the BBCU DPL2/3/45/46

Correspondence between Philip Larkin and Richard Kostelanetz (Fulbright Fellow, Kings College London) about permission to reprint two poems from The Less DeceivedU DPL2/3/45/47

Correspondence between Rex Allen (Macmillan) and Philip Larkin suggesting an annotated Larkin for schoolsU DPL2/3/45/48

Correspondence between Martyn Goff ( Ibis ) and Philip Larkin seeking permission to quote Wants in his novel Flint InheritanceU DPL2/3/45/49

Correspondence between the Accounts Department (BBC) and Philip Larkin sending payment for the use of poems in Violence in poetry and The living poet: Philip LarkinU DPL2/3/45/50

Correspondence between Ronald Hambleton (Canadian Broadcasting Corporation) and Philip Larkin asking him to take part in a recording programmeU DPL2/3/45/51

Correspondence between John MacRae (Assistant Representative of the Canadian Broadcasting Corporation in London) and Philip Larkin asking him to take part in a recording programmeU DPL2/3/45/52

Correspondence between Philip Oakes ( Sunday Times ) and Philip Larkin asking him to do a profileU DPL2/3/45/53

Correspondence between Gina Richardson ( Queen ) and Philip Larkin asking for his cooperation with a feature on contemporary poetsU DPL2/3/45/54

Correspondence between Al Alvarez and Philip Larkin seeking permission to include ten Larkin poems in New poetry published by PenguinU DPL2/3/45/55

Letter from Philip Larkin to George Hartley about Alvarez request to include poems from The Less Deceived in New Poetry published by PenguinU DPL2/3/45/56

Correspondence between Richard Newnham (Penguin Editorial Department) and Philip Larkin complaining about the high rates per poem demanded by Larkin for the inclusion of his poetry in New PoetryU DPL2/3/45/57

Letter from Philip Larkin to Al Alvarez enclosing corrected proofs of the poems to be included in New PoetryU DPL2/3/45/58

Letter from Philip Larkin to George Hartley pointing out Alvarez illegal full use of At Grass in his introduction to New PoetryU DPL2/3/45/59

Correspondence between Philip Larkin and Richard Newnham (Penguin Editorial Department) pointing out Alvarez illegal full use of At grass in his introduction to New PoetryU DPL2/3/45/60

Correspondence between Al Alvarez and Philip Larkin about the illegal full use of At Grass in his introduction to New PoetryU DPL2/3/45/61

Correspondence between Nicholas Jacobs (Editorial Department, Penguin Books Ltd.) and Philip Larkin about the re-issue of New PoetryU DPL2/3/45/62

Correspondence between Anthony Godwin (Editorial Director, Penguin Books Ltd.) and Philip Larkin about reprint fees for the use of his poems in New PoetryU DPL2/3/45/63

Correspondence between James Wright (Penguin Books) and Philip Larkin about reprint fees for the use of his poems in New PoetryU DPL2/3/45/64

Correspondence between David Rees ( Spectator ) and Philip Larkin about A Bond Unearthed, Larkin's review of Ian Fleming (enclosed)U DPL2/3/45/65

Correspondence between Clive Webster (North Eastern Association for Arts and Poetry) and Philip Larkin asking him to judge a youth poetry competition and including details of Larkin s choicesU DPL2/3/45/66

Letter from Ian Sainsbury (Literary Editor, Morning Telegraph ) to Philip Larkin acknowledging receipt of the poem Friday night in the Royal Station HotelU DPL2/3/45/67

Letter from Philip Larkin to N A Fletcher (Examinations Administrator, Guildhall School of Music and Drama) answering their request to use Church GoingU DPL2/3/45/68

Correspondence between Miss B H Alexander (Copyright Department, BBC) and Philip Larkin seeking permission to record WantsU DPL2/3/45/69

Correspondence between Christine del Campo (Permissions Department, Faber and Faber)U DPL2/3/45/70

Correspondence between Mrs P N Grossert (Blackie & Son) and Philip Larkin seeking permission to publish Modesties in Authors of contemporary prose and verseU DPL2/3/45/71

Correspondence between Miss Janet Haffner (Education Department, Chatto & Windus) and Philip Larkin seeking permission to include An Arundel Tomb and Mr Bleaney in the Jupiter anthology of twentieth century poetry part IIIU DPL2/3/45/72

Letter from Philip Larkin to Peter du Sautoy (Faber and Faber)U DPL2/3/45/73

Correspondence between Doreen Stonehouse (Hull University Bookshop) and Jane With (Book Information Bureau) seeking the address of the Fortune Press, forwarded to Philip LarkinU DPL2/3/45/74

Correspondence between John Padfield (Thomas Nelson & Sons Ltd.) and Philip Larkin seeking permission to reprint Toads in a secondary school textbookU DPL2/3/45/75

Letter from Philip Larkin to Peter du Sautoy (Faber and Faber)U DPL2/3/45/76

Letter from Philip Larkin to the Permissions Department (Faber and Faber) forwarding an invitation to Expo Sussex 1968U DPL2/3/45/77

Correspondence between Patricia Butler (A P Watt & Son (Literary Agent) and Philip Larkin informing him about Penguin s plan to quote extracts from A Girl in Winter in English prose volume 2U DPL2/3/45/78

Correspondence between Michael Davison (Assistant Editor, Weekend Telegraph ) and Philip Larkin asking him to submit a list of twelve recommended books (enclosed) to be published in Philip Purser's regular article Laying down a little light fiction in Weekend TelegraphU DPL2/3/45/79

Correspondence between A E Dyson ( Critical Quarterly Society) and Philip Larkin enclosing payment for High WindowsU DPL2/3/45/80

Correspondence between R Fox (Australian Broadcasting Commission) and Philip Larkin asking him for an interviewU DPL2/3/45/81

Letter from John Fairfax to Philip Larkin about Longman anthology Stop and ListenU DPL2/3/45/82

Correspondence between Christine del Campo (Faber and Faber) and Philip Larkin sending him A & C Black Ltd. s request to reprint the first six lines of Days in an anthology for infantsU DPL2/3/45/83

Correspondence between Anthony Thwaite ( New Statesman ) and Philip LarkinU DPL2/3/45/84

Correspondence between C M Hancock and Philip Larkin seeking permission to use Poetry of departures in an American anthology forwarded to the Marvell Press by LarkinU DPL2/3/45/85

Correspondence between Paul Johnson (New Statesman) and Philip Larkin thanking him for his review of TennysonU DPL2/3/45/86

Correspondence between F Turner and Philip Larkin seeking permission to set Going, Going and Wedding Wind to music, forwarded to the Marvell Press by LarkinU DPL2/3/45/87

Correspondence between Bernard Palmer (Education Officer, Library Association) and Philip Larkin asking him to assess the work of Ankoma Soy for election to a Fellowship of Library AssociationU DPL2/3/45/88

Correspondence between Alun Jones (Editor, Mabon ) and Philip Larkin asking him to write a piece. Larkin sent Vernon Watkins: an encounter and a re-encounterU DPL2/3/45/89

Correspondence between Philip Larkin and Bernard I Palmer (Education Officer, Library Association) asking him to assess the work of D Kennington for election to a Fellowship of Library AssociationU DPL2/3/45/90

Correspondence between Charles Ford (Faber and Faber) and Philip Larkin asking for his assessment of The Definitive Book on Rock and Roll by Carl Belz (ts. report enclosed)U DPL2/3/45/91

Correspondence between Leslie Norris and Philip LarkinU DPL2/3/45/92

Postcards from Alan Ross (London magazine) to Philip Larkin asking him for a poemU DPL2/3/45/93

Letter from K J Glover (student at Hull University) to Philip Larkin asking permission to make a film centred around Arrivals, DeparturesU DPL2/3/45/94

Correspondence between Lydia Greeves (Educational Department, Hamish Hamilton) and Philip Larkin seeking permission to use the poem Love in Breakthrough: poetry of sixties by R B Heath (2)U DPL2/3/45/95

Correspondence between A. Levine (Penguin Education) and Philip Larkin seeking permission to use Toads in the Penguin English ReaderU DPL2/3/45/96

Correspondence between William Cole (Macmillan, New York) and Philip Larkin seeking permission to reprint Wants, Wires and AbsencesU DPL2/3/45/97

Contract between BBC and Philip Larkin for his contribution to the Open University programme Literature I (8pp.)U DPL2/3/45/98

Letter from Marjorie F French (Item Librarian, Educational Testing Service) to Philip LarkinU DPL2/3/45/99

Letter from Walter Kent (Southern Illinois University Press) to Philip Larkin sending a feeU DPL2/3/45/100

Contract between BBC and Philip Larkin for World tonightU DPL2/3/45/101

Correspondence between Olive Howell (BBC Copyright Department) and Philip Larkin seeking permission to use At Grass in the programme With Great Pleasure introduced by Steve RaceU DPL2/3/45/102

Correspondence between Michael Alderton (Schools Liaison Officer, Thames Television) to Philip Larkin seeking permission to quote Philip Larkin from the Penguin Book of Contemporary Verse in a set of Teacher's NotesU DPL2/3/45/103

Correspondence between A C Turner (Department of Political Science, University of California) and Philip Larkin seeking permission to quote 'Homage to government' in 'Unique partnership: Great Britain and the United States' (of America)U DPL2/3/45/104

Correspondence between Christopher Macy (Literary Editor, Humanist) and Philip Larkin asking for a poemU DPL2/3/45/105

Correspondence between D A F Sutherland (Collins Publishers) and Philip Larkin seeking permission to quote certain poems in Poems and last poems of Edward Thomas edited by Edna LongleyU DPL2/3/45/106

Correspondence between Terence Kilmartin (Literary Editor, Observer ) and Philip Larkin asking him for a poemU DPL2/3/45/107

Correspondence between Peter Porter and Philip Larkin seeking permission to include Vers de Societe in PEN anthology New Poems 72U DPL2/3/45/108

Correspondence between Derwent May (Literary Editor, The Listener ) and Philip Larkin asking for a poemU DPL2/3/45/109

Correspondence between Eric Homberger and Philip Larkin seeking permission to include Larkin's 'Section: Rock-Drill' in 'Ezra Pound:The Critical Heritage'U DPL2/3/45/110

Correspondence between P N Furbank and Philip Larkin seeking permission to include High Windows in Reflections on the Word ImageU DPL2/3/45/111

Correspondence between Philip Larkin and Jonathan Crowther (Imports Department Oxford University Press)U DPL2/3/45/112

Correspondence between Brian Mitchell and Philip Larkin seeking permission to quote from Church Going in his book Today's AthleteU DPL2/3/45/113

Correspondence between Jack Beale (Copyright Department, BBC) and Philip Larkin seeking permission to use Annus Mirabilis in With Great Pleasure on the PintersU DPL2/3/45/114

Correspondence between Nuala O Faolain (Open University) and Philip Larkin seeking permission to use Here in their BBC programmeU DPL2/3/45/115

Correspondence between Donald Hall (Michigan Quarterly Review) and Philip Larkin seeking permission to reprint Annus MirabilisU DPL2/3/45/116

Correspondence between Pamela Howe (Talks Producer, BBC) and Philip Larkin seeking help with a programme on Thomas HardyU DPL2/3/45/117

File. Literary businessU DPL2/3/46

File. Other literary businessU DPL2/3/47

File. 'Philip Larkin's blues and other colours'U DPL2/3/48

File. Migration of English literary manuscripts to AmericaU DPL2/3/49

File. National Manuscripts Collection of Contemporary Writers CommitteeU DPL2/3/50

File. National Manuscripts Collection of Contemporary Writers CommitteeU DPL2/3/51

File. National Manuscripts Collection of Contemporary Poets Sub-CommitteeU DPL2/3/52

File. National Manuscripts Collection of ContemporaryPoets Sub Committee catalogue and exhibition 1967U DPL2/3/53

File. National Manuscripts Collection of Contemporary Poets Sub CommitteeU DPL2/3/54

Bundle. National Portrait GalleryU DPL2/3/55

File. Oxford Book of Twentieth Century English VerseU DPL2/3/56

Artificial bundle. Oxford Book of Twentieth Century English VerseU DPL2/3/57

File. Oxford Book of Twentieth Century English VerseU DPL2/3/58

File. Oxford Book of Twentieth Century English VerseU DPL2/3/59

File. Oxford Book of Twentieth Century English VerseU DPL2/3/60

File. Oxford book of modern verseU DPL2/3/61

File. New Oxford English DictionaryU DPL2/3/62

Artificial bundle. School and OxfordU DPL2/3/63

Bundle. Annual PEN anthology: New Poems 1958U DPL2/3/64

Artificial file. Performances, readings etc.U DPL2/3/65

File. Performing Rights SocietyU DPL2/3/66

File. Permissions fees or 'Why should it be the author who loses out?'U DPL2/3/67

File. Poetry Book SocietyU DPL2/3/68

File. Poetry SocietyU DPL2/3/69

File. Board of Management of Poetry Book SocietyU DPL2/3/70

File. Poetry Book Society PresidentU DPL2/3/71

File. Poetry Book Society. Choice and recommendationU DPL2/3/72

File. 'Poetry panel [of the Arts Council] - manuscripts'U DPL2/3/73

File. 'Barbara Pym'U DPL2/3/74

File. Queen's Gold Medal AwardU DPL2/3/75

Artificial file. QuotationsU DPL2/3/76

Artificial bundle. Required WritingU DPL2/3/77

File. Required WritingU DPL2/3/78

File. Royal Society of LiteratureU DPL2/3/79

Artificial bundle. Helen SpaldingU DPL2/3/80

File. 'SCONUL literature seminar, March 1979'U DPL2/3/81

File. 'Society of Authors: Committee of Management'U DPL2/3/82

File. South Bank ShowU DPL2/3/83

File. 'The Jenny Stratford catalogue'U DPL2/3/84

Bundle. TaxU DPL2/3/85

Bundle. TaxU DPL2/3/86

Bundle. TaxU DPL2/3/87

File. Tenancy: 32 Pearson Park, HullU DPL2/3/88

File. Tennyson manuscripts: sale by Lincoln County LibraryU DPL2/3/89

File. VATU DPL2/3/90

File. Watershed FoundationU DPL2/3/91

File. Vernon Watkins bibliographyU DPL2/3/92

File. Wellington Public LibraryU DPL2/3/93

Bundle. WH Smith Literature AwardU DPL2/3/94

File. The Whitsun Weddings and JillU DPL2/3/95

File. Who's Who entriesU DPL2/3/96

File. York Minster FundU DPL2/3/97

Artificial file. MiscellaneousU DPL2/3/98

Bundle. Miscellaneous reviewsU DPL2/3/99

Artificial bundle. Miscellaneous reviews and postcardsU DPL2/3/100

Bundle. MiscellaneousU DPL2/3/101

Bundle. MiscellaneousU DPL2/3/102

Artificial bundle. MiscellaneousU DPL2/3/103

Artificial file. Photographs and negativesU DPL2/3/104

Artificial file. CorrespondenceU DPL2/3/105

Artificial file. MiscellaneousU DPL2/3/106

Third DepositU DPL3

Fourth DepositU DPL4