Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin informing him about American interest in publishing The Less Deceived

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Archive Record|Table of contents

Papers of Philip Arthur LarkinU DPL

Poetry workbooksU DPL/1

Poetry typescriptsU DPL/2

Poetry publicationsU DPL/3

Prose and other manuscriptsU DPL/4

CorrespondenceU DPL/5

InterviewsU DPL/6

SpeechesU DPL/7

All Souls College, OxfordU DPL/8

PhotographsU DPL/9

MiscellaneousU DPL/10

Second DepositU DPL2

Manuscripts and related materialU DPL2/1

Correspondence filesU DPL2/2

Subject filesU DPL2/3

File. 'All What Jazz 1984'U DPL2/3/1

Artificial bundle. All What JazzU DPL2/3/2

File. 'Arts Council Literature Advisory Panel, 1980 - 1982'U DPL2/3/3

File. Arts Council Literature Advisory PanelU DPL2/3/4

File. 'Arts Council Poetry Panel' [National Manuscripts Collection of Contemporary Poets Committee]U DPL2/3/5

File. Arts CouncilU DPL2/3/6

File. Arts Council writers' bursariesU DPL2/3/7

Artificial file. Arvon Foundation Poetry CompetitionU DPL2/3/8

Artificial file. Authors' Lending and Copyright SocietyU DPL2/3/9

Artificial bundle. Martin BellU DPL2/3/10

File. Barry BloomfieldU DPL2/3/11

File. The Booker Prize for Literature 1977U DPL2/3/12

Files. British Library BoardU DPL2/3/13

File. British Library BoardU DPL2/3/14

File. Bain Dawes & Partners Ltd.U DPL2/3/15

File. 'Car'U DPL2/3/16

File. 'Comments on poems'U DPL2/3/17

File. CBEU DPL2/3/18

File. 'Compton Poetry Fund'U DPL2/3/19

Artificial bundle. ContributionsU DPL2/3/20

File. Companion of Literature AwardU DPL2/3/21

File. Coventry Award of MeritU DPL2/3/22

Artificial bundle. CricketU DPL2/3/23

File. Faber and FaberU DPL2/3/24

File. Faber and FaberU DPL2/3/25

File. FSSU vs. USS pension contributionsU DPL2/3/26

File. 'Jill: film and television rights'U DPL2/3/27

File. 'Hamburg' Shakespeare PrizeU DPL2/3/28

File. 'George Hartley (complaints against)'U DPL2/3/29

File. Thomas Hardy SocietyU DPL2/3/30

File. 'Thomas Hardy's death'U DPL2/3/31

File. 'High Windows'U DPL2/3/32

Artificial bundle. 'High Windows': reviewsU DPL2/3/33

File. Honorary Doctorate from Queen's University, BelfastU DPL2/3/34

File. 'Leicester, 1970'U DPL2/3/35

File. 'Sussex, 16.7.1974'U DPL2/3/36

Artificial bundle. 'Hull Daily Mail'U DPL2/3/37

File. Hull Daily Mail poetry competitionU DPL2/3/38

File. Humber BridgeU DPL2/3/39

Artificial bundle. InvitationsU DPL2/3/40

Artificial bundle. Jazz reviews and obituariesU DPL2/3/41

File. 'Larkinland'U DPL2/3/42

Bundle. Library Association Fellowship candidateU DPL2/3/43

File. Literary businessU DPL2/3/44

File. Literary businessU DPL2/3/45

Correspondence between Stewart Richardson (Editor, J B Lippicott Company, New York) and Philip Larkin suggesting a publication venture and discussing Kingsley AmisU DPL2/3/45/1

Correspondence between Lee Anderson (Yale University Department of English) and Philip Larkin inviting him to record his poetry for the Lee Anderson Collection of Recorded Poets of Yale UniversityU DPL2/3/45/2

Correspondence between Philip Larkin and Peter Watt (Literary Agent) about a proposed BBC dramatisation of A Girl in WinterU DPL2/3/45/3

Correspondence between Stewart Richardson (Editor, J B Lippicott Company, New York) and Philip Larkin inviting him to write a piece for New World WritingU DPL2/3/45/4

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin informing him about American interest in publishing The Less DeceivedU DPL2/3/45/5

Correspondence between Jason Epstein (Doubleday Press) and Philip Larkin about American interest in publishing The Less DeceivedU DPL2/3/45/6

Correspondence between A D Maclean (Macmillan) and Philip Larkin seeking permission to republish several poems in New LinesU DPL2/3/45/7

Correspondence between T M Cranfill and Philip Larkin asking him to contribute a poem to Texas Quarterly, with ts. poem, Talking in Bed, Philip LarkinU DPL2/3/45/8

Correspondence between Sylvia Patino (Editor, Audience, an American literary quarterly) and Philip Larkin asking him to be part of a special issue about English writersU DPL2/3/45/9

Correspondence between Donald Davie and Philip Larkin asking him to send a poem for the Poetry book Society Christmas Poetry SupplementU DPL2/3/45/10

Correspondence between Kenneth Allott (Department of English, University of Liverpool) and Philip Larkin seeking permission to include Church going, Whitsun weddings and Photograph album in a Penguin anthology of poetryU DPL2/3/45/11

Correspondence between Rollie McKenna (photographer) and Philip LarkinU DPL2/3/45/12

Correspondence between Donald Hall ( Paris Review ) and Philip Larkin seeking permission to publish poems in New Poets of England and AmericaU DPL2/3/45/13

Correspondence between Una B Jayne (Educational Section, Book Department, Odhams Press Ltd.) and Philip Larkin requesting permission to reprint Before tea and Faith healingU DPL2/3/45/14

Correspondence between Thomas Moult (Chairman, Editorial Board, Poetry Review ) and Philip Larkin asking him for a poemU DPL2/3/45/15

Correspondence between Helen Rogers (International PEN) and Philip Larkin seeking permission to include Ambulances in New Poems 1962U DPL2/3/45/16

Letters from Anna Chataway, (Guiness Poetry Award) to Philip Larkin seeking permission to include Ambulances in their volume of winning poemsU DPL2/3/45/17

Correspondence between from Robert Harben (Literary Agent) and Philip Larkin seeking permission to include An Arundel Tomb in a Dutch anthology of poetryU DPL2/3/45/18

Correspondence between Betty Mulcahy and Philip Larkin seeking permission to use Born Yesterday in a poetry tour organised by the Midlands Arts AssociationU DPL2/3/45/19

Correspondence between Louis Untermeyer and Philip Larkin seeking permission to use Coming, Next Please, No Road, Spring, Arrivals, Departures and Church Going in 'Modern American and Modern British Poetry'U DPL2/3/45/20

Correspondence between Douglas Day (Editor, Shenandoah ) and Philip Larkin asking him for a poemU DPL2/3/45/21

Correspondence between F E S Finn (John Murray) and Philip Larkin seeking permission to include An Arundel Tomb in the Albermarle Book of Modern VerseU DPL2/3/45/22

Correspondence between Donald Hall (University of Michigan) and Philip Larkin seeking permission to reprint Mr Bleaney in a text book anthology of English and American poetry (2)U DPL2/3/45/23

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin suggesting a tripartite book of Thom Gunn, Ted Hughes and Philip LarkinU DPL2/3/45/24

Correspondence between Charles Causley and Philip Larkin seeking permission to include At grass in Dawn and Dusk: poems of our time, chosen and introduced by Charles CausleyU DPL2/3/45/25

Correspondence between Maurice Wollman (Harraps) (Editor, Harrap book of modern verse ) and Philip Larkin seeking permission to include poems from The Less Deceived in Ten Contemporary PoetsU DPL2/3/45/26

Correspondence between the Director General (New Zealand Broadcasting Service) and Philip Larkin seeking permission to broadcast Poetry of DeparturesU DPL2/3/45/27

Correspondence between Helen Rogers (International PEN) and Philip Larkin seeking permission to use Spring in an anthology of verseU DPL2/3/45/28

Correspondence between Joseph Langland (Dial Press) and Philip Larkin asking him to select his favourite poemU DPL2/3/45/29

Correspondence between Margaret Wainwright (Assistant Editor, Arnold & Son Educational Publishers) and Philip Larkin seeking to include his photograph in an anthology of verseU DPL2/3/45/30

Correspondence between Mrs E M Fielding (Secretary, English Association) and Philip Larkin seeking permission to include Faith Healing, Church Going and Maiden Name in Poems of TodayU DPL2/3/45/31

Correspondence between Samuel Bossard (McGraw Hill Book Company) and Philip Larkin seeking permission to include Poetry of Departures, I See a Girl Dragged by Wrists and Church Going in Modern Poets: an American-British anthologyU DPL2/3/45/32

Correspondence between Helen Rogers (International PEN) and Philip Larkin seeking permission to include Nothing to be Said in New Poems 1963U DPL2/3/45/33

Correspondence between John Bell (Oxford University Press) and Philip Larkin seeking permission to keep the quotations which John Press used in his book Rule and EnergyU DPL2/3/45/34

Correspondence between T Kilmartin ( Observer ) and Philip Larkin thanking him for his review of Benny GreenU DPL2/3/45/35

Correspondence between Alan Ross ( London magazine ) and Philip Larkin asking him for a poemU DPL2/3/45/36

Correspondence between V C Clinton - Baddeley (Jupiter Recordings Ltd.) and Philip Larkin asking him to read Mr Bleaney and An Arundel Tomb for an anthology of twentieth century poetry cassetteU DPL2/3/45/37

Letter from John Donovan (St. Martin s Press, New York) and Philip LarkinU DPL2/3/45/38

Correspondence between L A Fletcher (Examinations Administrator, Guildhall School of Music) and Philip Larkin requesting permission to include An Arundel Tomb in anthology of Guildhall School of Music and Drama 1964/5 syllabusU DPL2/3/45/39

Correspondence between Ian Hamilton (Editor, Review ) and Philip Larkin asking him for a poemU DPL2/3/45/40

Correspondence between F A Jones (Australian Broadcasting Commission) and Philip Larkin seeking permission to broadcast Mr BleaneyU DPL2/3/45/41

Correspondence between William Park and Philip Larkin seeking permission to include Mr Bleaney in an anthology of the British and American poetsU DPL2/3/45/42

Correspondence between Chad Walsh and Philip Larkin seeking permission to use poems XXII and XXVII from The North Ship in Poets of CenturyU DPL2/3/45/43

Letter from L A Fletcher (Examinations Administrator, Guildhall School of Music) to Philip Larkin sending him a cheque for use of An Arundel TombU DPL2/3/45/44

Letter from Ian Hamilton (on behalf of New Society ) to Philip LarkinU DPL2/3/45/45

Letter from H W Burwood (Royalty Department, Faber and Faber) to Philip Larkin sending him a fee for the use of The Whitsun Weddings by the BBCU DPL2/3/45/46

Correspondence between Philip Larkin and Richard Kostelanetz (Fulbright Fellow, Kings College London) about permission to reprint two poems from The Less DeceivedU DPL2/3/45/47

Correspondence between Rex Allen (Macmillan) and Philip Larkin suggesting an annotated Larkin for schoolsU DPL2/3/45/48

Correspondence between Martyn Goff ( Ibis ) and Philip Larkin seeking permission to quote Wants in his novel Flint InheritanceU DPL2/3/45/49

Correspondence between the Accounts Department (BBC) and Philip Larkin sending payment for the use of poems in Violence in poetry and The living poet: Philip LarkinU DPL2/3/45/50

Correspondence between Ronald Hambleton (Canadian Broadcasting Corporation) and Philip Larkin asking him to take part in a recording programmeU DPL2/3/45/51

Correspondence between John MacRae (Assistant Representative of the Canadian Broadcasting Corporation in London) and Philip Larkin asking him to take part in a recording programmeU DPL2/3/45/52

Correspondence between Philip Oakes ( Sunday Times ) and Philip Larkin asking him to do a profileU DPL2/3/45/53

Correspondence between Gina Richardson ( Queen ) and Philip Larkin asking for his cooperation with a feature on contemporary poetsU DPL2/3/45/54

Correspondence between Al Alvarez and Philip Larkin seeking permission to include ten Larkin poems in New poetry published by PenguinU DPL2/3/45/55

Letter from Philip Larkin to George Hartley about Alvarez request to include poems from The Less Deceived in New Poetry published by PenguinU DPL2/3/45/56

Correspondence between Richard Newnham (Penguin Editorial Department) and Philip Larkin complaining about the high rates per poem demanded by Larkin for the inclusion of his poetry in New PoetryU DPL2/3/45/57

Letter from Philip Larkin to Al Alvarez enclosing corrected proofs of the poems to be included in New PoetryU DPL2/3/45/58

Letter from Philip Larkin to George Hartley pointing out Alvarez illegal full use of At Grass in his introduction to New PoetryU DPL2/3/45/59

Correspondence between Philip Larkin and Richard Newnham (Penguin Editorial Department) pointing out Alvarez illegal full use of At grass in his introduction to New PoetryU DPL2/3/45/60

Correspondence between Al Alvarez and Philip Larkin about the illegal full use of At Grass in his introduction to New PoetryU DPL2/3/45/61

Correspondence between Nicholas Jacobs (Editorial Department, Penguin Books Ltd.) and Philip Larkin about the re-issue of New PoetryU DPL2/3/45/62

Correspondence between Anthony Godwin (Editorial Director, Penguin Books Ltd.) and Philip Larkin about reprint fees for the use of his poems in New PoetryU DPL2/3/45/63

Correspondence between James Wright (Penguin Books) and Philip Larkin about reprint fees for the use of his poems in New PoetryU DPL2/3/45/64

Correspondence between David Rees ( Spectator ) and Philip Larkin about A Bond Unearthed, Larkin's review of Ian Fleming (enclosed)U DPL2/3/45/65

Correspondence between Clive Webster (North Eastern Association for Arts and Poetry) and Philip Larkin asking him to judge a youth poetry competition and including details of Larkin s choicesU DPL2/3/45/66

Letter from Ian Sainsbury (Literary Editor, Morning Telegraph ) to Philip Larkin acknowledging receipt of the poem Friday night in the Royal Station HotelU DPL2/3/45/67

Letter from Philip Larkin to N A Fletcher (Examinations Administrator, Guildhall School of Music and Drama) answering their request to use Church GoingU DPL2/3/45/68

Correspondence between Miss B H Alexander (Copyright Department, BBC) and Philip Larkin seeking permission to record WantsU DPL2/3/45/69

Correspondence between Christine del Campo (Permissions Department, Faber and Faber)U DPL2/3/45/70

Correspondence between Mrs P N Grossert (Blackie & Son) and Philip Larkin seeking permission to publish Modesties in Authors of contemporary prose and verseU DPL2/3/45/71

Correspondence between Miss Janet Haffner (Education Department, Chatto & Windus) and Philip Larkin seeking permission to include An Arundel Tomb and Mr Bleaney in the Jupiter anthology of twentieth century poetry part IIIU DPL2/3/45/72

Letter from Philip Larkin to Peter du Sautoy (Faber and Faber)U DPL2/3/45/73

Correspondence between Doreen Stonehouse (Hull University Bookshop) and Jane With (Book Information Bureau) seeking the address of the Fortune Press, forwarded to Philip LarkinU DPL2/3/45/74

Correspondence between John Padfield (Thomas Nelson & Sons Ltd.) and Philip Larkin seeking permission to reprint Toads in a secondary school textbookU DPL2/3/45/75

Letter from Philip Larkin to Peter du Sautoy (Faber and Faber)U DPL2/3/45/76

Letter from Philip Larkin to the Permissions Department (Faber and Faber) forwarding an invitation to Expo Sussex 1968U DPL2/3/45/77

Correspondence between Patricia Butler (A P Watt & Son (Literary Agent) and Philip Larkin informing him about Penguin s plan to quote extracts from A Girl in Winter in English prose volume 2U DPL2/3/45/78

Correspondence between Michael Davison (Assistant Editor, Weekend Telegraph ) and Philip Larkin asking him to submit a list of twelve recommended books (enclosed) to be published in Philip Purser's regular article Laying down a little light fiction in Weekend TelegraphU DPL2/3/45/79

Correspondence between A E Dyson ( Critical Quarterly Society) and Philip Larkin enclosing payment for High WindowsU DPL2/3/45/80

Correspondence between R Fox (Australian Broadcasting Commission) and Philip Larkin asking him for an interviewU DPL2/3/45/81

Letter from John Fairfax to Philip Larkin about Longman anthology Stop and ListenU DPL2/3/45/82

Correspondence between Christine del Campo (Faber and Faber) and Philip Larkin sending him A & C Black Ltd. s request to reprint the first six lines of Days in an anthology for infantsU DPL2/3/45/83

Correspondence between Anthony Thwaite ( New Statesman ) and Philip LarkinU DPL2/3/45/84

Correspondence between C M Hancock and Philip Larkin seeking permission to use Poetry of departures in an American anthology forwarded to the Marvell Press by LarkinU DPL2/3/45/85

Correspondence between Paul Johnson (New Statesman) and Philip Larkin thanking him for his review of TennysonU DPL2/3/45/86

Correspondence between F Turner and Philip Larkin seeking permission to set Going, Going and Wedding Wind to music, forwarded to the Marvell Press by LarkinU DPL2/3/45/87

Correspondence between Bernard Palmer (Education Officer, Library Association) and Philip Larkin asking him to assess the work of Ankoma Soy for election to a Fellowship of Library AssociationU DPL2/3/45/88

Correspondence between Alun Jones (Editor, Mabon ) and Philip Larkin asking him to write a piece. Larkin sent Vernon Watkins: an encounter and a re-encounterU DPL2/3/45/89

Correspondence between Philip Larkin and Bernard I Palmer (Education Officer, Library Association) asking him to assess the work of D Kennington for election to a Fellowship of Library AssociationU DPL2/3/45/90

Correspondence between Charles Ford (Faber and Faber) and Philip Larkin asking for his assessment of The Definitive Book on Rock and Roll by Carl Belz (ts. report enclosed)U DPL2/3/45/91

Correspondence between Leslie Norris and Philip LarkinU DPL2/3/45/92

Postcards from Alan Ross (London magazine) to Philip Larkin asking him for a poemU DPL2/3/45/93

Letter from K J Glover (student at Hull University) to Philip Larkin asking permission to make a film centred around Arrivals, DeparturesU DPL2/3/45/94

Correspondence between Lydia Greeves (Educational Department, Hamish Hamilton) and Philip Larkin seeking permission to use the poem Love in Breakthrough: poetry of sixties by R B Heath (2)U DPL2/3/45/95

Correspondence between A. Levine (Penguin Education) and Philip Larkin seeking permission to use Toads in the Penguin English ReaderU DPL2/3/45/96

Correspondence between William Cole (Macmillan, New York) and Philip Larkin seeking permission to reprint Wants, Wires and AbsencesU DPL2/3/45/97

Contract between BBC and Philip Larkin for his contribution to the Open University programme Literature I (8pp.)U DPL2/3/45/98

Letter from Marjorie F French (Item Librarian, Educational Testing Service) to Philip LarkinU DPL2/3/45/99

Letter from Walter Kent (Southern Illinois University Press) to Philip Larkin sending a feeU DPL2/3/45/100

Contract between BBC and Philip Larkin for World tonightU DPL2/3/45/101

Correspondence between Olive Howell (BBC Copyright Department) and Philip Larkin seeking permission to use At Grass in the programme With Great Pleasure introduced by Steve RaceU DPL2/3/45/102

Correspondence between Michael Alderton (Schools Liaison Officer, Thames Television) to Philip Larkin seeking permission to quote Philip Larkin from the Penguin Book of Contemporary Verse in a set of Teacher's NotesU DPL2/3/45/103

Correspondence between A C Turner (Department of Political Science, University of California) and Philip Larkin seeking permission to quote 'Homage to government' in 'Unique partnership: Great Britain and the United States' (of America)U DPL2/3/45/104

Correspondence between Christopher Macy (Literary Editor, Humanist) and Philip Larkin asking for a poemU DPL2/3/45/105

Correspondence between D A F Sutherland (Collins Publishers) and Philip Larkin seeking permission to quote certain poems in Poems and last poems of Edward Thomas edited by Edna LongleyU DPL2/3/45/106

Correspondence between Terence Kilmartin (Literary Editor, Observer ) and Philip Larkin asking him for a poemU DPL2/3/45/107

Correspondence between Peter Porter and Philip Larkin seeking permission to include Vers de Societe in PEN anthology New Poems 72U DPL2/3/45/108

Correspondence between Derwent May (Literary Editor, The Listener ) and Philip Larkin asking for a poemU DPL2/3/45/109

Correspondence between Eric Homberger and Philip Larkin seeking permission to include Larkin's 'Section: Rock-Drill' in 'Ezra Pound:The Critical Heritage'U DPL2/3/45/110

Correspondence between P N Furbank and Philip Larkin seeking permission to include High Windows in Reflections on the Word ImageU DPL2/3/45/111

Correspondence between Philip Larkin and Jonathan Crowther (Imports Department Oxford University Press)U DPL2/3/45/112

Correspondence between Brian Mitchell and Philip Larkin seeking permission to quote from Church Going in his book Today's AthleteU DPL2/3/45/113

Correspondence between Jack Beale (Copyright Department, BBC) and Philip Larkin seeking permission to use Annus Mirabilis in With Great Pleasure on the PintersU DPL2/3/45/114

Correspondence between Nuala O Faolain (Open University) and Philip Larkin seeking permission to use Here in their BBC programmeU DPL2/3/45/115

Correspondence between Donald Hall (Michigan Quarterly Review) and Philip Larkin seeking permission to reprint Annus MirabilisU DPL2/3/45/116

Correspondence between Pamela Howe (Talks Producer, BBC) and Philip Larkin seeking help with a programme on Thomas HardyU DPL2/3/45/117

File. Literary businessU DPL2/3/46

File. Other literary businessU DPL2/3/47

File. 'Philip Larkin's blues and other colours'U DPL2/3/48

File. Migration of English literary manuscripts to AmericaU DPL2/3/49

File. National Manuscripts Collection of Contemporary Writers CommitteeU DPL2/3/50

File. National Manuscripts Collection of Contemporary Writers CommitteeU DPL2/3/51

File. National Manuscripts Collection of Contemporary Poets Sub-CommitteeU DPL2/3/52

File. National Manuscripts Collection of ContemporaryPoets Sub Committee catalogue and exhibition 1967U DPL2/3/53

File. National Manuscripts Collection of Contemporary Poets Sub CommitteeU DPL2/3/54

Bundle. National Portrait GalleryU DPL2/3/55

File. Oxford Book of Twentieth Century English VerseU DPL2/3/56

Artificial bundle. Oxford Book of Twentieth Century English VerseU DPL2/3/57

File. Oxford Book of Twentieth Century English VerseU DPL2/3/58

File. Oxford Book of Twentieth Century English VerseU DPL2/3/59

File. Oxford Book of Twentieth Century English VerseU DPL2/3/60

File. Oxford book of modern verseU DPL2/3/61

File. New Oxford English DictionaryU DPL2/3/62

Artificial bundle. School and OxfordU DPL2/3/63

Bundle. Annual PEN anthology: New Poems 1958U DPL2/3/64

Artificial file. Performances, readings etc.U DPL2/3/65

File. Performing Rights SocietyU DPL2/3/66

File. Permissions fees or 'Why should it be the author who loses out?'U DPL2/3/67

File. Poetry Book SocietyU DPL2/3/68

File. Poetry SocietyU DPL2/3/69

File. Board of Management of Poetry Book SocietyU DPL2/3/70

File. Poetry Book Society PresidentU DPL2/3/71

File. Poetry Book Society. Choice and recommendationU DPL2/3/72

File. 'Poetry panel [of the Arts Council] - manuscripts'U DPL2/3/73

File. 'Barbara Pym'U DPL2/3/74

File. Queen's Gold Medal AwardU DPL2/3/75

Artificial file. QuotationsU DPL2/3/76

Artificial bundle. Required WritingU DPL2/3/77

File. Required WritingU DPL2/3/78

File. Royal Society of LiteratureU DPL2/3/79

Artificial bundle. Helen SpaldingU DPL2/3/80

File. 'SCONUL literature seminar, March 1979'U DPL2/3/81

File. 'Society of Authors: Committee of Management'U DPL2/3/82

File. South Bank ShowU DPL2/3/83

File. 'The Jenny Stratford catalogue'U DPL2/3/84

Bundle. TaxU DPL2/3/85

Bundle. TaxU DPL2/3/86

Bundle. TaxU DPL2/3/87

File. Tenancy: 32 Pearson Park, HullU DPL2/3/88

File. Tennyson manuscripts: sale by Lincoln County LibraryU DPL2/3/89

File. VATU DPL2/3/90

File. Watershed FoundationU DPL2/3/91

File. Vernon Watkins bibliographyU DPL2/3/92

File. Wellington Public LibraryU DPL2/3/93

Bundle. WH Smith Literature AwardU DPL2/3/94

File. The Whitsun Weddings and JillU DPL2/3/95

File. Who's Who entriesU DPL2/3/96

File. York Minster FundU DPL2/3/97

Artificial file. MiscellaneousU DPL2/3/98

Bundle. Miscellaneous reviewsU DPL2/3/99

Artificial bundle. Miscellaneous reviews and postcardsU DPL2/3/100

Bundle. MiscellaneousU DPL2/3/101

Bundle. MiscellaneousU DPL2/3/102

Artificial bundle. MiscellaneousU DPL2/3/103

Artificial file. Photographs and negativesU DPL2/3/104

Artificial file. CorrespondenceU DPL2/3/105

Artificial file. MiscellaneousU DPL2/3/106

Third DepositU DPL3

Fourth DepositU DPL4