Questors Theatre, Ealing: correspondence relating to Michael Redgrave's involvement with the Theatre

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Archive Record|Table of contents

Sir Michael Redgrave ArchiveTHM/31

Scrapbooks and photograph albumsTHM/31/1

Photographs, negatives, and slidesTHM/31/2

CorrespondenceTHM/31/3

Business correspondenceTHM/31/3/1

Abbey Mill Theatre, St Albans: letter from Terence Newell, ChairmanTHM/31/3/1/1/1

Letter from the Actor's Charitable Trust of which Michael Redgrave was a Vice-PresidentTHM/31/3/1/2/1

The Actor's Orphanage Fund: correspondence and photographsTHM/31/3/1/3/1-6

The Actor's Ways and Means: correspondence with Bristol University regarding the Rockefeller lectures given by Michael RedgraveTHM/31/3/1/4/1-34

The Actor's Ways and Means: correspondence with Clifton College Bristol relating to the lectures given by Michael Redgrave at Bristol UniversityTHM/31/3/1/5/1/11

The Actor's Ways and Means: correspondence with Edward Thompson, of William Heinemann Ltd (publishers), relating to the lectures given by Michael Redgrave at Bristol UniversityTHM/31/3/1/6/1-9

The Actor's Ways and Means: correspondence with publishers relating to permission for quotes and photographsTHM/31/3/1/7/1-44

The Actors Ways and Means: general correspondence, including correspondence with Edward Thompson of William Heinemann Ltd, publishersTHM/31/3/1/8/1-36

The Actor by RÃ©mond de Sainte-Albine: correspondenceTHM/31/3/1/9/1-13

L'Amoureuse (a Woman in Love): correspondenceTHM/31/3/1/10/1-12

Antony and Cleopatra: correspondence and associated material. Includes correspondence with Filippo del Guidice and Laurence OlivierTHM/31/3/1/11/1-174

The Apollo SocietyTHM/31/3/1/12/1-2

Arts Council of Great Britain: correspondenceTHM/31/3/1/13/1-5

The Aspern Papers: correspondence relating to the publication of Michael Redgrave's adaptation, and relating to its production at the Queens Theatre, London, and preparations for the New York productionTHM/31/3/1/14/1-164

The Aspern Papers: general correspondence and related materialTHM/31/3/1/15/1-24

The Aspern Papers: correspondence relating to the production in AustriaTHM/31/3/1/16/1-8

The Aspern Papers: correspondence relating to the production in Australia and South AfricaTHM/31/3/1/17/1-14

The Aspern Papers: correspondence relating to the production in HollandTHM/31/3/1/18/1-16

The Aspern Papers: correspondence relating to the production of in FranceTHM/31/3/1/19/1-39

The Aspern Papers: correspondence relating to the production in GermanyTHM/31/3/1/20/1-12

The Aspern Papers: correspondence relating to the production in FinlandTHM/31/3/1/21/1-6

The Aspern Papers: correspondence relating to the production in Spain and PortugalTHM/31/3/1/22/1-9

The Aspern Papers: correspondence relating to the production in ItalyTHM/31/3/1/23/1-18

The Aspern Papers: correspondence relating to the production at the Lucerne FestivalTHM/31/3/1/24/1-12

The Aspern Papers: correspondence relating to the production in PolandTHM/31/3/1/25/1-7

The Aspern Papers: correspondence and related material relating to the New York production, including cast and script changesTHM/31/3/1/26/70-81

The Aspern Papers: correspondence concerning non-professional and stock rights to the play, royalties, and foreign language productions and rightsTHM/31/3/1/27/1-53

The Aspern Papers: correspondence relating to the BBC's adaptationTHM/31/3/1/28/1-18

The Aspern Papers: script of the BBC's adaptationTHM/31/3/1/29/1

The Aspern Papers: correspondence relating to the film treatment, including letters from Bette Davis, Ingrid Bergman and Jirri WeissTHM/31/3/1/30/1-44

Michael Redgrave's autobiography, In My Mind's Eye: correspondence including letters from publishers, copies of the contract and letters of congratulations from friendsTHM/31/3/1/31/1-88

Baker's Dozen: correspondenceTHM/31/3/1/32/1-3

Bath Festival of 1961 and 1970: correspondence and other materialTHM/31/3/1/33/1-25

BBC: correspondenceTHM/31/3/1/34/1-20

Fiona Bentley and Lord Aberdare of F C M Limited: correspondence relating to recordings of Hamlet, Macbeth, Richard II, and the ParablesTHM/31/3/1/35/1-9

Behind the Mask: correspondenceTHM/31/3/1/36/1-3

Letters from Dr J de Blieck of Nederlandsch Impresariaat to Michael Redgrave relating to his solo performances in HollandTHM/31/3/1/37/1-5

Gyles Brandreth: correspondence with Michael Redgrave relating to a Son et Lumiere production and also to the Oxford Theatre FestivalTHM/31/3/1/38/1-4

British Council: correspondence, bills and leaflets relating to Michael Redgrave's lecture in ViennaTHM/31/3/1/39/1-54

British Council: correspondence relating to Michael Redgrave's Shakespeare recital at the National Theatre, BudapestTHM/31/3/1/40/1-12

British Council: correspondence relating to the exhibition for the opening of the Sydney Opera House, AustraliaTHM/31/3/1/41/1-6

British Film Institute: correspondenceTHM/31/3/1/42/1-22

British Theatre Museum: correspondenceTHM/31/3/1/43/1-5

The Browning Version: correspondence relating to the filmTHM/31/3/1/44/1-20

Caedmon Publishers: correspondence relating to various recordings by Michael RedgraveTHM/31/3/1/45/1-26

Cambridge House and Talbot 75th Anniversary Appeal relating to Michael Redgrave appointment to the Committee of HonourTHM/31/3/1/46/1

The Canterville Ghost: correspondence relating to the film for American TVTHM/31/3/1/47/1-4

Ann Carter: correspondence relating to porcelain figure of Michael RedgraveTHM/31/3/1/48/1

Correspondence relating to Michael Redgrave's CBETHM/31/3/1/49/1-5

Chichester Festival of 1962 and 1963: correspondenceTHM/31/3/1/50/1-14

Chichester Festival of 1963: correspondenceTHM/31/3/1/51/1-16

Circus Boy: correspondence and photographs relating to various amateur and professional productions of Michael Redgrave's playTHM/31/3/1/52/1-52

Clifton College, Bristol: correspondenceTHM/31/3/1/53/1-28

Close of Play: correspondence relating to the play by Simon GrayTHM/31/3/1/54/1-13

Harold Clurman to Michael RedgraveTHM/31/3/1/55/1-2

Commonwealth Film Unit: correspondence with Michael RedgraveTHM/31/3/1/56/1

The Complaisant Lover: correspondence relating to the playTHM/31/3/1/57/1-22

Confidential Report: correspondence relating to the filmTHM/31/3/1/58/1-9

Connecting Rooms: correspondence relating to the filmTHM/31/3/1/59/1-7

The Dam Busters: correspondence relating to the filmTHM/31/3/1/60/1-4

David Copperfield: letters relating to the television filmTHM/31/3/1/61/1-9

Dillington House, Somerset: College for Adult Education and Arts Centre. Correspondence with Michael RedgraveTHM/31/3/1/62/1-2

Doncaster Youth Theatre: letter to Michael RedgraveTHM/31/3/1/63/1

Elizabeth FitzRoy Homes for the Handicapped Trust: letter to Michael RedgraveTHM/31/3/1/64/1-4

English Speaking Board, Liverpool: correspondenceTHM/31/3/1/65/1-44

Ensemble Theatre Company, Notting Hill, LondonTHM/31/3/1/66/1

Equity: correspondenceTHM/31/3/1/67/1-39

Eugene O'Neill Memorial Theatre Center: correspondence between David Hays and Michael RedgraveTHM/31/3/1/68/1-2

Evening Standard: correspondence relating to the Evening Standard Awards of 1959 and 1964THM/31/3/1/69/1-3

Everyman Theatre, Liverpool: correspondence relating to Michael Redgrave's presidency of the theatreTHM/31/3/1/70/1-30

Fan lettersTHM/31/3/1/71/1-23

Farnham Film SocietyTHM/31/3/1/72/1-2

The Father: correspondence relating to the playTHM/31/3/1/73/1-3

Richard Findlater and Edward Thompson: correspondence relating to Findlater's proposed biography, Michael Redgrave, ActorTHM/31/3/1/74/1-30

Bryan Forbes: correspondence relating to his biography of Dame Edith EvansTHM/31/3/1/75/1-3

Future productions: correspondence with H E Bates relating to The day of the TortoiseTHM/31/3/1/76/1-6

Future productions: correspondence with Baroness Karen Blixen relating to The Deluge at NordeneyTHM/31/3/1/77/1-5

Future productions: letter to Sir Lewis Casson and Dame Sybil Thorndike relating to Theresa of AvilaTHM/31/3/1/78/1

Future productions: correspondence with Harold Clurman relating to A Touch of the PoetTHM/31/3/1/79/1-2

Future productions: letter from Max Faber relating to The Master BuilderTHM/31/3/1/80/1

Future productions: correspondence with Peter Hall relating to The Gates of Summer by John WhitingTHM/31/3/1/81/1-12

Future productions: correspondence with Ian Hunter relating to the Malvern FestivalTHM/31/3/1/82/1-2

Future productions: correspondence with Emile Littler and Jerry Leider relating to solo performancesTHM/31/3/1/83/1-9

Future productions: correspondence with Jeanne MoreauTHM/31/3/1/84/1-2

Future productions: letters from Dadie RylandsTHM/31/3/1/85/1-3

Future productions: correspondence with David Tutaev, of Aurora Agency, relating to Naught for your Comfort by Father HuddlestonTHM/31/3/1/86/1-2

Patrick Garland: correspondence relating to an anthology for television of scenes from ShakespeareTHM/31/3/1/87/1

Garrick ClubTHM/31/3/1/88/1-2

Georgian Theatre Trust, Richmond, Yorkshire: correspondenceTHM/31/3/1/89/1-40

Glyndebourne Festival Opera: correspondence with Moran Caplet, general manager, relating to WertherTHM/31/3/1/90/1-52

Glyndebourne Festival Opera: correspondence with June Dandridge, production manager, relating to Werther and La BohÃ¨meTHM/31/3/1/91/1-14

Glyndebourne Festival Opera: correspondence with Una Marchetti, regulating secretary, relating to Werther and La BohÃ¨meTHM/31/3/1/92/1-6

Glyndebourne Festival Opera: correspondence with Jani Strasser, head of music staff, relating to Werther and La BohÃ¨meTHM/31/3/1/93/1-21

Glyndebourne Festival Opera: correspondence with Helen O'Neill and Arthur Owen relating to Werther and La BohÃ¨meTHM/31/3/1/94/1-5

Glyndebourne Festival Opera: correspondence with Oliver Gamgee of Filmline Ltd, relating to La BohÃ¨meTHM/31/3/1/95/1

Glyndebourne Festival Opera: correspondence with James Robertson, director of the London Opera CentreTHM/31/3/1/96/1-2

Glyndebourne Festival Opera: schedule of rehearsals and performances for 1966THM/31/3/1/97/1-2

Glyndebourne Festival Opera: letters to the press relating to WertherTHM/31/3/1/98/1-5

Glyndebourne Festival Opera: correspondence and performance schedules for 1969THM/31/3/1/99/1-12

Glyndebourne Festival Opera: programme notes for La BohÃÂ¨meTHM/31/3/1/100/1-9

Glyndebourne Touring Opera: rehearsal and performance schedule for 1970THM/31/3/1/101/1

Logan Gourlay: correspondence concerning his proposed book on Laurence OlivierTHM/31/3/1/102/1-8

The Green Scarf: letters from Peter Forster relating to the filmTHM/31/3/1/103/1-3

The Guardian: letter from Michael Redgrave relating to a review of Werther at Glyndebourne Festival OperaTHM/31/3/1/104/1-2

F M Guedalla, solicitor: correspondence relating to the Beggar's Opera and Michael Redgrave's contract with Gainsborough Pictures LtdTHM/31/3/1/105/1-18

Hamlet: correspondence relating to the Hallmark Hall of Fame production for televisionTHM/31/3/1/106/1-10

Hans Andersen: correspondence relating to Michael Redgrave's reading in OdenseTHM/31/3/1/107/1-44

Hans Andersen Society of CopenhagenTHM/31/3/1/108/1-5

The Happy Road: letter from Thor Productions relating to the filmTHM/31/3/1/109/1

The Hill: letter relating to the filmTHM/31/3/1/110/1-2

Heidi: correspondence relating to the production for American TVTHM/31/3/1/111/1-17

The Heroes of Telemark: letter and associated material, including the Box Office Blue Ribbon Award for picture of the monthTHM/31/3/1/112/1-3

Holland Festival: correspondence relating to Michael Redgrave's solo performanceTHM/31/3/1/113/1-22

The Hollow Crown (Colorado Festival) 1973, and 1974 Pleasure and Repentence and 1975THM/31/3/1/114/1-8

Hollow Crown and Pleasure and Repentence: correspondence relating to financial gains and tax incurred by Michael Redgrave while on the World TourTHM/31/3/1/115/1-33

Holybourne Dramatic Club: correspondence concerning the opening of their theatre by Michael RedgraveTHM/31/3/1/116/1-5

Hornblower: letters relating to the radio seriesTHM/31/3/1/117/1-6

Huddersfield and District Young Theatregoers ClubTHM/31/3/1/118/1

Ian Hunter of Harold Holt Ltd: correspondence concerning the Royal Society of ArtsTHM/31/3/1/119/1-5

Anne Hutton of Hutton Management Ltd: correspondence and statements of Michael Redgrave's earningsTHM/31/3/1/120/1-91

Ronald Hayman: correspondence with Michael Redgrave relating to his contribution to the book My CambridgeTHM/31/3/1/121/1-10

The Immortal Land: copy of announcement of the presentation of the film as part of the London Film Festival SelectionTHM/31/3/1/122/1

The Importance of Being Oscar: correspondence relating to MicheÃ¡l Mac LiammÃ³ir's performanceTHM/31/3/1/123/1-18

The Innocents: letter and review relating to the filmTHM/31/3/1/124/1-2

Dr Jekyll and Mr Hyde: letters relating to the musical versionTHM/31/3/1/125/1-3

Correspondence relating to Michael Redgrave's knighthoodTHM/31/3/1/126/1-9

Patrick Lane of Sussex Tapes: correspondence regarding recordings of extracts from Twelfth Night, King Lear and Measure for MeasureTHM/31/3/1/127/1-4

Law and Disorder: letters relating to the filming ofTHM/31/3/1/128/1-2

Harry Levin of Harvard University: correspondenceTHM/31/3/1/129/1

Lilian Baylis Centenery Festival: letters from Laurence Olivier, Peter Roberts and Val MayTHM/31/3/1/130/1-4

Liverpool Playhouse: correspondence relating to opening of the Redgrave RoomTHM/31/3/1/131/1-9

Liverpool Playhouse: correspondence regarding the Diamond Jubilee Gala performanceTHM/31/3/1/132/1-8

The Loneliness of the Long Distance Runner: letter and reviewTHM/31/3/1/133/1-2

Mary Kay Bureau Ltd secretarial companyTHM/31/3/1/134/1-2

Raymond Mander and Joe Mitchenson Theatre Collection: correspondence with Campbell Hooper and Austin Wright, SolictorsTHM/31/3/1/135/1-3

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey BlackburnTHM/31/3/1/136/1-32

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey BlackburnTHM/31/3/1/137/1-23

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey BlackburnTHM/31/3/1/138/1-19

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey BlackburnTHM/31/3/1/139/1-20

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey BlackburnTHM/31/3/1/140/1-32

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey BlackburnTHM/31/3/1/141/1-18

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey Blackburn and Anne HuttonTHM/31/3/1/142/1-15

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey Blackburn, Anne Hutton, and Sally GreenTHM/31/3/1/143/1-19

Christopher Mann Ltd, Michael Redgrave's representatives: correspondence with Aubrey Blackburn and Anne HuttonTHM/31/3/1/144/1-18

Christopher Mann Ltd: statements of Michael Redgrave's earningsTHM/31/3/1/145/1-50

Christopher Mann Ltd: statements of Michael Redgrave's earningsTHM/31/3/1/146/1-44

Christopher Mann Ltd: statements of Michael Redgrave's earningsTHM/31/3/1/147/1-21

Christopher Mann Ltd: statements of Michael Redgrave's earningsTHM/31/3/1/148/1-19

Market Drayton Operatic and Dramatic SocietyTHM/31/3/1/149/1

Mask or Face: correspondence relating to the book, including copy of contract between Michael Redgrave and William Heinemann Ltd, publishers, and notes by Michael RedgraveTHM/31/3/1/150/1-34

Canon Clarence May, prebendary of St Paul's CathedralTHM/31/3/1/151/1

Mermaid Theatre Trust: correspondence relating to the theatre and to the Hans Andersen readings given by Michael RedgraveTHM/31/3/1/152/1-17

Yvonne Mitchell, Cordelia Monsey and Rubinstein Callingham, solicitors: correspondence relating to Yvonne Mitchell's biography of the Redgrave familyTHM/31/3/1/153/1-20

Michael Redgrave Productions Ltd: correspondence and financial statements and accountsTHM/31/3/1/154/1-12

Michael Redgrave Productions Ltd: correspondence and financial statements and accountsTHM/31/3/1/155/1-25

Michael Redgrave Productions Ltd: correspondence, reports and financial statements and accountsTHM/31/3/1/156/1-6

Michael Redgrave Productions Ltd: correspondence and financial statements and accountsTHM/31/3/1/157/1-7

A Month in the Country, Cambridge Theatre London: correspondence with Max AdrianTHM/31/3/1/158/1-2

A Month in the Country, Cambridge Theatre London: correspondence with Ingrid Bergman, Boris Blake, and David BlackTHM/31/3/1/159/1-18

A Month in the Country, Cambridge Theatre London: correspondence between Aubrey Blackburn of Christopher Mann Ltd, and Michael Redgrave and Fred SadoffTHM/31/3/1/160/1-30

A Month in the Country, Cambridge Theatre London: correspondence with Emile Littler, Laurier Lister, and Kate LansburyTHM/31/3/1/161/1-32

A Month in the Country, Cambridge Theatre London: correspondence with Roy PurcellTHM/31/3/1/162/1-2

A Month in the Country, Cambridge Theatre London: correspondence with Fred Sadoff and Lars SchmidtTHM/31/3/1/163/1-9

A Month in the Country, Cambridge Theatre London: letter from Edward ThompsonTHM/31/3/1/164/1

A Month in the Country, Cambridge Theatre London: letters from Adza Vincent and the Variety Club of Great BritainTHM/31/3/1/165/1-2

A Month in the Country, Cambridge Theatre London: correspondence with Hugh Walker of the O'Keefe Centre for the Performing Arts, Canada, and with Alexander Walker, journalistTHM/31/3/1/166/1-13

A Month in the Country, Cambridge Theatre London: cast lists and notesTHM/31/3/1/167/1-4

A Month in the Country, Cambridge Theatre London: operating statements and box office returnsTHM/31/3/1/168/1-47

The Mountebank's Tale: correspondence relating to the book by Michael RedgraveTHM/31/3/1/169/1-31

Mr Dickens of London: letters relating to the American television productionTHM/31/3/1/170/1-7

Mull Little Theatre: newsletterTHM/3/1/3/1/171/1-2

National Theatre: correspondence relating to the 1963/1964 season. With schedule of performances of Othello, Uncle Vanya, and Hobson's ChoiceTHM/31/3/1/172/1-9

National Youth Theatre: correspondence with Michael Croft, director of the theatreTHM/32/3/1/173/1-9

Peter Noble: letter from Michael RedgraveTHM/31/3/1/174/1-2

National Council of the Noise Abatement Society, of which Michael Redgrave was a memberTHM/31/3/1/175/1-3

October Revolution: letter from Sally Nicholl of Paramount British Pictures Ltd relating to the documentary filmTHM/31/3/1/176/1

Oh, Rosalinda: correspondence relating to the filmTHM/31/3/1/177/1-10

The Old Boys: correspondence relating to the production at the Mermaid Theatre, LondonTHM/31/3/1/178/1-5

Old Vic: letters from [ Michel Saint-Denis ] relating to Michael Redgrave's performancesTHM/31/3/1/179/1-8

Out of Bounds: correspondence relating to the production of the playTHM/31/3/1/180/1-16

Oxford Playhouse Company: letter from Gordon McDougall, director of the Oxford International FestivalTHM/31/3/1/181/1

Peer Gynt: correspondence relating to the BBC radio productionTHM/31/3/1/182/1-8

Personal appearances: correspondenceTHM/31/3/1/183/1-33

Personal appearances: correspondenceTHM/31/3/1/184/1-35

Personal appearances: correspondenceTHM/31/3/1/185/1-44

Personal appearances: correspondenceTHM/31/3/1/186/1-11

Personal appearances: correspondenceTHM/31/3/1/187/1-18

Personal appearances: correspondenceTHM/31/3/1/188/1-18

Personal appearances: correspondenceTHM/31/3/1/189/1-10

Questors Theatre, Ealing: correspondence relating to Michael Redgrave's involvement with the TheatreTHM/31/3/1/190/1-88

The Quiet American: correspondence relating to the filming, including letters relating to costumes and insuranceTHM/31/3/1/191/1-47

Queen magazine: correspondence relating to a review of Out of BoundsTHM/31/3/1/192/1-9

Redgrave Theatre, Farnham: general correspondence relating to the Appeal and the opening of the theatreTHM/31/3/1/193/1-35

Redgrave Theatre, Farnham: fundraising flyers and leaflets for the Theatre AppealTHM/31/3/1/194/1-12

Redgrave Theatre, Farnham: letter from Frank Rutter, architect, and plans of the proposed theatreTHM/31/3/1/195/1-4

Redgrave Theatre, Farnham: correspondence with Crosby and Co Ltd relating to the Theatre Appeal LuncheonTHM/31/3/1/196/1-3

Redgrave Theatre, Farnham: correspondence with Durrant's press cutting bureauTHM/31/3/1/197/1-2

Redgrave Theatre, Farnham: letter from Harold Franklin, appeal organiser, with press releasesTHM/31/3/1/198/1-5

Redgrave Theatre, Farnham: correspondence with Henrietta FranklinTHM/31/3/1/199/1-13

Redgrave Theatre, Farnham: correspondence with Sir John Gutch, chairmanTHM/31/3/1/200/1-14

Redgrave Theatre, Farnham: note from Loelia Lindsay, Duchess of WestminsterTHM/31/3/1/201/1

Redgrave Theatre, London: correspondence with Bernard Miles and Ian Mullins, artistic directorTHM/31/3/1/202/1-5

Redgrave Theatre, London: correspondence with Jimmy Nunn, chairman of the Castle Theatre Social CommitteeTHM/31/3/1/203/1-15

Redgrave Theatre, Farnham: correspondence with PRP Group (Public Relations Partners Ltd)THM/31/3/1/204/1-12

Redgrave Theatre, Farnham: correspondence with Captain W F H C Rutherford, appeal directorTHM/31/3/1/205/1-27

Redgrave Theatre, Farnham: correspondence with William Talbot, chairman of the Farnham Repertory Company LtdTHM/31/3/1/206/1-6

Redgrave Theatre, Farnham: correspondence with Brian Willey and David WickensTHM/31/3/1/207/1-4

Redgrave Theatre, Farnham: correspondence relating to fundraising events, including Hans Andersen readings at the Windmill ClubTHM/31/3/1/208/1-10

Redgrave Theatre, Farnham: correspondence with George Rylands (Dadie)THM/31/3/1/209/1-2

Redgrave Theatre, Farnham: letters to the press and miscellaneousTHM/31/3/1/210/1-25

Roundabout Theatre Company, New York: letter from Michael Fried, producing directorTHM/31/3/1/211/1-2

Royal Society of Arts: letters relating to the election of Michael Redgrave as FellowTHM/31/3/1/212/1-3

Fred Sadoff: correspondence concerning attempts to obtain a working visaTHM/31/3/1/213/1-17

Fred Sadoff and others: correspondence relating to F.E.S. (Plays) Ltd. Includes correspondence relating to the productions of Murder Matrimonial, My Friend Judas, and the Aspern PapersTHM/31/3/1/214/1-68

Fred Sadoff and others: correspondence relating to F.E.S. (Plays) Ltd. Includes correspondence relating to the productions of The Sound of Murder, The Dancing Heiress, and Charles and IsabellaTHM/31/3/1/215/1-92

Fred Sadoff and others: correspondence relating to F.E.S. (Plays) Ltd. Includes correspondence relating to the production of HughieTHM/31/3/1/216/1-15

Fred Sadoff and others: correspondence relating to F.E.S. (Plays) Ltd. Includes correspondence relating to the productions of Games and Paddy on SundaysTHM/31/3/1/217/1-25

Fred Sadoff and others: correspondence relating to F.E.S. (Plays) Ltd. Includes correspondence relating to the production of Washington Square and the dissolution of the companyTHM/31/3/1/218/1-19

The Sea Shall Not Have Them: correspondence relating to the production of the filmTHM/31/3/1/219/1-12

The Seventh Man: correspondence relating to the theatrical rights to the adaptation by Michael RedgraveTHM/31/3/1/220/1-17

Shake Hands with the Devil: correspondence relating to the filmTHM/31/3/1/221/1-5

Shakespeare and the Actor: correspondence relating to Michael Redgrave's lecture, and its inclusion in the book Talking About Shakespeare, edited by John GarrettTHM/31/3/1/222/1-5

Shakespeare Birthplace Trust: correspondenceTHM/31/3/1/223/1-9

Shakespeare Memorial Theatre Company, Stratford-Upon-Avon: correspondence relating to Michael Redgrave's engagement 1951THM/31/3/1/224/1-59

Shakespeare Memorial Theatre Company, Stratford-Upon-Avon: correspondence relating to Michael Redgrave's engagement for 1953THM/31/3/1/225/1-139

Shakespeare Memorial Theatre, Stratford-Upon-Avon: correspondence relating to the 1954 and 1955 seasonsTHM/31/3/1/226/1-9

Shakespeare Memorial Theatre, Stratford-Upon-Avon: correspondence concerning Michael Redgrave the 1958 seasonTHM/31/3/1/227/1-51

Correspondence and miscellanea relating to Shakespeare Memorial Theatre's Russian Tour, including fan letters, tickets and postcardsTHM/31/3/1/228/1-100

Royal Shakespeare Theatre: correspondence with Peter Hall, director, relating to the 1964 season at Stratford-Upon-AvonTHM/31/3/1/229/1-2

Shakespeare's People: correspondence with Paul Elliott Entertainments Ltd relating to the tour of South AfricaTHM/31/3/1/230/1-16

Shakespeare's People: itineraries for, and correspondence relating to, the 1976, 1977 and 1978 tours organised by Paul Elliot Entertainments LtdTHM/31/3/1/231/1-43

Diana and Herman Shumlin: correspondence relating to the play Lloyd George Knew My FatherTHM/31/3/1/232/1-6

The Sleeping Prince: correspondence relating to Michael Redgrave's production of Terry Rattigan's play at the Coronet Theatre, New YorkTHM/31/3/1/233/1-12

The Sleeping Prince: correspondence relating to Michael Redgrave's production of Terry Rattigan's play at the Coronet Theatre, New YorkTHM/31/3/1/234/1-25

The Sleeping Prince: correspondence relating to Michael Redgrave's production of Terry Rattigan's play at the Coronet Theatre, New YorkTHM/31/3/1/235/1-48

The Sleeping Prince: correspondence relating to Michael Redgrave's production of Terry Rattigan's play at the Coronet Theatre, New YorkTHM/31/3/1/236/1-29

The Sleeping Prince: correspondence relating to Michael Redgrave's production of Terry Rattigan's play at the Coronet Theatre, New YorkTHM/31/3/1/237/1-24

The Sleeping Prince: correspondence relating to Michael Redgrave's production of Terry Rattigan's play at the Coronet Theatre, New YorkTHM/31/3/1/238/1-17

The Sleeping Prince: correspondence, mainly with Janet Roberts of MCA Artists Ltd, relating to payments to Michael Redgrave for his direction of and performance in the playTHM/31/3/1/239/1-30

The Sleeping Prince: correspondence relating to Michael Redgrave's attempts to break his contract with Showcase Productions Ltd to appear in Ruggles of Red GapTHM/31/3/1/240/1-13

Southern Television: letter inviting Michael Redgrave to take part in The Full Man, an educational programmeTHM/31/3/1/241/1-2

The Story of Stora: correspondence relating to Michael Redgrave's narration of this Swedish documentary filmTHM/31/3/1/242/1-6

Syracuse University, New York: correspondence relating to the nomination of Michael Redgrave for an honorary doctorateTHM/31/3/1/243/1-8

Theatre Royal, Bath: correspondenceTHM/31/3/1/244/1-7

Theatre Workshop: correspondence relating to Michael Redgrave's involvement their production of Uranium 235THM/31/3/1/245/1-34

Edward Thompson, publisher: correspondence relating to Thompson's autobiographyTHM/31/3/1/246/1-3

The Tiger and the Horse: correspondence relating to the play by Robert BoltTHM/31/3/1/247/1-72

Tiger at the Gates: correspondence relating to the playTHM/31/3/1/248/1-132

Time Without Pity: correspondence relating to the filmTHM/31/3/1/249/1-5

Times Eductational Supplement: letter from Michael RedgraveTHM/31/3/1/250/1

A Touch of the Sun: correspondence relating to Norman Hunter's playTHM/31/3/1/251/1-16

A Touch of the Sun: correspondence relating to Norman Hunter's playTHM/31/3/1/252/1-18

A Touch of the Sun: correspondence relating to Norman Hunter's playTHM/31/3/1/253/1-8

George James Turner Trust: correspondence relating to the trust of which Michael Redgrave is one of the Trustees, and of which Rachel Kempson held reversionary interestTHM/31/3/1/254/1-46

United Nations Association: correspondenceTHM/31/3/1/255/1-2

Unity Theatre: letter from John Collier, production managerTHM/31/3/1/256/1

University of Bristol: correspondence relating to Michael Redgrave's acceptance of an Honorary DegreeTHM/31/3/1/257/1-23

University of Cambridge: letters and magazines from Magdalene College and the Amateur Dramatic ClubTHM/31/3/1/258/1-10

University of London: letters from the Department of Extra-Mural Studies inviting Michael Redgrave to become a a member of the Advisory Committee on the Diploma in Dramatic Art and the Certificate of Proficiency in Diction and DramaTHM/31/3/1/259/1-14

Variety Club of Great Britain: letters to Michael Redgrave relating to awardsTHM/31/3/1/260/1-5

A Voyage Around My Father: correspondence relating to the play at the Haymarket Theatre, LondonTHM/31/3/1/261/1-11

A Voyage Around My Father: correspondence relating to arrangements for the Canadian and Australian tours of the playTHM/31/3/1/262/1-53

Waiting in the Wings: correspondence relating to the management by F.E.S. (Plays) Ltd of Noel Coward's playTHM/31/3/1/263/1-44

Waiting in the Wings: summaries of weekly receipts and expenses for the play by Noel CowardTHM/31/3/1/264/1-17

Irving Wardle: letters relating to George Devine and Michel Saint-Denis and the pre-war seasons at the Old Vic and the Queens and Phoenix TheatresTHM/31/3/1/265/1-4

Arnold Weissberger, of the law firm Weissberger & Frosch: correspondence relating to the possibility of Michael Redgrave appearing on Broadway in a Rodgers and Hammerstein musicalTHM/31/3/1/266/1-2

Who's Who in the Theatre: correspondence relating to its publication, and Michael Redgrave's position on the Honorary Editorial BoardTHM/31/3/1/267/1-21

Richard Winnington Award: correspondence relating to Michael Redgrave's involvement with the award for 1958THM/31/3/1/268/1-13

Winter Journey: correspondence relating to the playTHM/31/3/1/269/1-50

Stephen Wright of the Oxford and Cambridge Shakespeare CompanyTHM/31/3/1/270/1

Young Cassidy: correspondence relating to the film, including reviewTHM/31/3/1/271/1-4

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Maurice [Allen] and Michael Annals, designerTHM/31/3/1/272/1-2

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Ingrid Bergman relating to A Month in the CountryTHM/31/3/1/273/1-9

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence relating to A Month in the CountryTHM/31/3/1/274/1-14

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with John Cheever and Gerald CroasdellTHM/31/3/1/275/1-4

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with T S Eliot and Christopher Fry relating to the prologue for the FestivalTHM/31/3/1/276/1-16

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Archie Graham-Brown, chairman of the Yvonne Arnaud Theatre TrustTHM/31/3/1/277/1-55

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Pauline Browne, actressTHM/31/3/1/278/1-2

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Terry Hands and Patricia JesselTHM/31/3/1/279/1-4

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Captain Nicholas Kempson, appeal organiser for the Yvonne Arnaud Theatre TrustTHM/31/3/1/280/1-58

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Laurier Lister, director of the TheatreTHM/31/3/1/281/1-14

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Yehudi Menuhin and Neil McCarthyTHM/31/3/1/282/1-4

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Nathans Ltd, John Neville, Faith Nicholls, Sir Laurence OlivierTHM/31/3/1/283/1-6

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Harold Pinter, John Quentin, and Philips Records LtdTHM/31/3/1/284/1-5

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Alfred Reynolds and Margaret RitchieTHM/31/3/1/285/1-2

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Lars Schmidt (husband of Ingrid Bergman), Peter Schaffer, and Alix StoneTHM/31/3/1/286/1-8

Yvonne Arnaud Theatre Opening Festival, Guildford: correspondence with Dorothy Tutin, Emlyn Williams, and Peter WoodTHM/31/3/1/287/1-3

Yvonne Arnaud Theatre Opening Festival, Guildford: casting and rehearsal schedulesTHM/31/3/1/288/1-11

Yvonne Arnaud Theatre Opening Festival, Guildford: production notes and casting of the Chorus for Samson AgonistesTHM/31/3/1/289/1-21

Yvonne Arnaud Theatre Opening Festival, Guildford: programme notes and publicityTHM/31/3/1/290/1-19

Yvonne Arnaud Theatre Trust, Guildford: comments and recommendations on the fund raising campaign, with photographsTHM/31/3/1/291/1-37

Yvonne Arnaud Theatre Opening Festival, Guildford: programmes, leaflets and publications relating to the theatre and the festivalTHM/31/3/1/292/1-18

Miscellaneous business correspondenceTHM/31/3/1/293/1-22

Correspondence: New YorkTHM/31/3/2

Michael Redgrave personal business correspondenceTHM/31/3/3

Rachel Kempson: business correspondenceTHM/31/3/4

Michael Redgrave personal correspondenceTHM/31/3/5

Family correspondence: letters from the Redgrave family to Michael RedgraveTHM/31/3/6

Family correspondence: letters to Rachel KempsonTHM/31/3/7

Personal correspondence: letters from friends to Rachel KempsonTHM/31/3/8

Family correspondence: letters to Margaret ScudamoreTHM/31/3/9

Family correspondence: miscellaneousTHM/31/3/10

Correspondence and material relating to funeral and memorial services of Michael Redgrave and othersTHM/31/3/11

Diaries and notebooksTHM/31/4

Articles, lectures and publicationsTHM/31/5

Scripts and typescripts of readingsTHM/31/6

ContractsTHM/31/7

Financial recordsTHM/31/8

Sound recordingsTHM/31/9

Images: posters, playbills, and drawingsTHM/31/10

BooksTHM/31/11

Programmes and brochuresTHM/31/12

Press cuttingsTHM/31/13

Sheet musicTHM/31/14

MagazinesTHM/31/15

MiscellaneousTHM/31/16