'Some Rules for Painting upon Messo Tinto Justly Imparted', probably written in Gyles' own hand, 12 folios: (fo. 1): 'Treatise in Autograph of Henry Gyles Glasspainter on Coloring Mezzotints & transferring them to glass' (19th century hand); (fo. 11v) red crayon drawings of human figures and a man-of-war, roughly contemporary with the text.
Henry Gyles: Rules for Painting
- This material is held at
- ReferenceGB 12 MS.Add.4024
- Dates of CreationLate 17th century
- Name of Creator
- Physical Description1 volume
- Direct Link
Scope and Content
Administrative / Biographical History
Henry Gyles or Giles (1640?-1709), who resided in Micklegate, York, is credited with the revival of the art of pictorial glass painting in England. He produced works for Trinity College and St Catharine Hall in Cambridge, and Wadham College, Oxford, but is best known for his work in the chapel of University College, Oxford. He died at his house in York in October 1709.
Conditions Governing Access
Open for consultation by holders of a Reader's Ticket valid for the Manuscripts Reading Room.
No record of accession.
Description compiled by Robert Steiner, Department of Manuscripts and University Archives. The biographical history was compiled with reference to the entry on Gyles in Leslie Stephen and Sidney Lee, eds, Dictionary of national biography, Vol. VIII (London, 1908), p. 853.
Other Finding Aids
Additional Manuscripts Catalogue.
The work is apparently unprinted: it is not mentioned in J.A. Knowles, 'Henry Gyles, Glass-Painter of York', Walpole Society, 12 (1923), pp. 47-72, or in J.T. Brighton, 'Cartoons for York Glass - Henry Gyles', Preview (City of York Art Gallery Quarterly), 21 (1968).