Interviews with members of support groups, mostly women. In the interviews they talk about what they do to help the miners and their views on the strike. There is also a day class and a picnic arranged by support groups.
Miners' Support Groups
- For more information, email the repository
- Advice on accessing these materials
- Cite this description
Scope and Content
Administrative / Biographical History
The use of video recording in historical research and adult education was first realised at the South Wales Miners' Library in the mid-1970s. Links with an educational centre in the USA prompted the Miners' Library to develop its own programme of video recordings, beginning with the tape recording of Extra-Mural speakers and studio interviews, and then moving to on-location filming. The Second South Wales Coalfield Research Project (1979-1982) made a major contribution, collecting material that was edited to produce tapes such as the Glyncastle Project (GB 217 SWCC:VID/Project/1). Co-operation with other bodies produced more tapes, such as the 1981 Strike (GB 217 SWCC:VID/Project/2) produced with Cardiff Community Video Workshop.
Extra-mural classes organised by the Department of Adult and Continuing Education in what is now Swansea University, were a significant focus of the recording, such as an adult local history class in the Dulias Valley which worked as a research group in producing Maesmarchog Local History Class (GB 217 SWCC:VID/Project/7), a social history of the valley. Several teaching tapes were produced using a range of local historical sources, such as Dan Lewis Remembers (GB 217 SWCC:VID/Project/14), which was widely used in schools, community groups, adult education classes, conferences and colleges.
The video recordings also played an important role in archival work, teaching and research, for example being used on Extra-Mural miners day release and residential courses. Funding provided by the Welsh Arts council led to the recording of Waste of Our Time (GB 217 SWCC:VID/Project/6) by Tim Exton, depicting the changing local industrial landscape.
The video recordings consist mainly of interviews, including some with such figures from the South Wales coal industry as Dai Francis, Emlyn Williams and Phil Weekes. Also included amongst the video collection are conferences arranged by the National Union of Mineworkers, the Trades Union Congress, Llafur and other groups along with recordings of the cultural activities of the mining communities including the Miners' Eisteddfod and the Miners' Gala; recordings of various news reports, including American news coverage of the 1984-85 miners strike; and various documentaries recorded from television broadcasts, including topics such as the Spanish Civil War.
Miners' support groups came into being during the miners' strike of 1984-85.The miners' wives played an enormous part in the strike. As well as appearing on the picket lines alongside the men, hundreds of women turned up at rallies and marched behind banners with slogans such as 'Women Against Pit Closures'. They organised events to support the striking miners, from jumble sales to sponsored walks. They also organised food parcels and soup kitchens.
Conditions Governing Access
The videos are held at the South Wales Miners' Library which is located in Hendrefoelan House, two miles from the Archives. The address is:
South Wales Miners' Library
Tel: 01792 518603/518693
Fax: 01792 518694
Please contact the South Wales Miners' Library for further details regarding access.
Some video clips maybe viewed on the Coalfield Web Materials' website at http://www.agor.org.uk/cwm/
Finding aid encoded by Julie Anderson July 2003 with reference to the 8th Report of the South Wales Miners' Library, 1982-3.
Other Finding Aids
The videos are part of the South Wales Coalfield Collection. An online catalogue can be found at http://www.swan.ac.uk/swcc/
In 1994, the Library obtained a British Library Grant for Cataloguing and Preservation of 5000 to catalogue the audio and videotapes in what is now the South Wales Coalfield Collection. The video collection has been structured to reflect the relationship between the various individual projects and type of recordings. However, difficulties in numbering consecutively arise when different types of recordings have been recorded on the same video cassette.