The Influence of Gordon Craig in Theory and Practice, 1955

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Peter Brook CollectionTHM/452

Material relating to the life of Peter Brook, ca.1930 to ca.1970THM/452/1

Artworks by Peter BrookTHM/452/2

Personal correspondence to and from Peter BrookTHM/452/3

Production correspondenceTHM/452/4

Production photographsTHM/452/5

Research photographsTHM/452/6

Personal photographsTHM/452/7

Production materialTHM/452/8

Production scriptsTHM/452/9

Professional correspondenceTHM/452/10

WritingsTHM/452/11

Articles by Peter BrookTHM/452/11/1

The Actor and Vietnam, 1967THM/452/11/1/1

The Addict's Theatre, 1961THM/452/11/1/2

Anouilh, 1959THM/452/11/1/3

The Aztec Two-Step, 1961THM/452/11/1/4

Beware of Quality, 1962THM/452/11/1/5

Cuba Dances, 1961THM/452/11/1/6

La culture française est-elle étouffée par trop de subventions?, 1997THM/452/11/1/7

Dali versus the Folio, ca. 1948THM/452/11/1/8

Découvrir par moi-même, 2013THM/452/11/1/9

Dire Oui a la Boue, 1985THM/452/11/1/10

Don't Be Bamboozled by Theories, 1962THM/452/11/1/11

Endgame, 1967THM/452/11/1/12

Endgame as King Lear or how to stop worrying and love Beckett, 1965THM/452/11/1/13

The Energy of the Sleeping Dragon, 1990-1991THM/452/11/1/14

Faberge by Faberge, 1955THM/452/11/1/15

Faith, 2012THM/452/11/1/16

False Gods, 1965THM/452/11/1/17

Faust, 1964THM/452/11/1/18

Faut-il encore tuer Meyerhold?, ca. 1964THM/452/11/1/19

Film and Ballet, 1943THM/452/11/1/20

Filming a Masterpiece, 1964THM/452/11/1/21

Finding Shakespeare on Film, 1966THM/452/11/1/22

Flaming Issue, 1965THM/452/11/1/23

From a Memo to a Movie: Director of 'Beggar's Opera' Descants on Picture's Genesis and ProductionTHM/452/11/1/24

From Zero to the Infinite - A letter from Peter Brook, 1960THM/452/11/1/25

Gordon Craig, 1956THM/452/11/1/26

Grotowski, 1969THM/452/11/1/27

La Fleuve de la Vie, 2011THM/452/11/1/28

My Friend Shakespeare as I Don't Like it, 1957THM/452/11/1/29

Hamlet Fat and Hamlet Lean, 1955THM/452/11/1/30

'Happy Days' At Marienbad, 1962THM/452/11/1/31

How to Upset the Audience, 1966THM/452/11/1/32

If Only It Were Simple, 1964THM/452/11/1/33

The Iks, 1980THM/452/11/1/34

The Immediate Theatre, 1968THM/452/11/1/35

In Fair Verona, Where We Lay Our Scene, 1947THM/452/11/1/36

The Influence of Gordon Craig in Theory and Practice, 1955THM/452/11/1/37

Inner and Outer, ca. 2005THM/452/11/1/38

An Inner View of Kenneth Tynan, 1956THM/452/11/1/39

In Search of Solid Sounds, 1957THM/452/11/1/40

The Lessons of Lear, 1964THM/452/11/1/41

MacBird, 1967THM/452/11/1/42

Madness and the Theatre by Peter Brook, 1964THM/452/11/1/43

Meetings with Remarkable Men, 1979THM/452/11/1/44

Mexican Diary, ca.1960THM/452/11/1/45

Mime, 1943THM/452/11/1/46

Musique concrète et Théâtre: Pierre Henry, 1963THM/452/11/1/47

The Need for Ritual, ca.1968THM/452/11/1/48

The Need to Experiment, 1964THM/452/11/1/49

Nostalgia, 1955THM/452/11/1/50

Nothing to Declare, 1955THM/452/11/1/51

Oh For Empty Seats, 1959THM/452/11/1/52

Onegin, ca.1957THM/452/11/1/53

Opera Production: Mr Peter Brook Replies to His Critics, 1949THM/452/11/1/54

Organic Remains, 1969THM/452/11/1/55

Pages for a Greek Sketchbook, ca.1955THM/452/11/1/56

Pages from a Russian Sketchbook, 1956THM/452/11/1/57

Peter Brook on Jerzy Grotowski, 1966THM/452/11/1/58

Peter Brook says: I Want to Put News on the Stage, 1966THM/452/11/1/59

Peter Brook Speaks, 1968THM/452/11/1/60

The Place of the Art Theatre, 1951THM/452/11/1/61

The Play Produced, 1947THM/452/11/1/62

Portrait Gallery, 1957THM/452/11/1/63

Portugal, 1946THM/452/11/1/64

The Pro-American Stop or Enter MacBird, 1967THM/452/11/1/65

Producing Opera, 1947THM/452/11/1/66

Production: Total Responsibility of a Director, 1964THM/452/11/1/67

Putting Marat/Sade on the Screen by Peter Brook, 1967THM/452/11/1/68

Qualité et artisanat, 2000THM/452/11/1/69

Quarter-Ear Music, 1957THM/452/11/1/70

A Realistic Approach to Eugene Onegin, 1957THM/452/11/1/71

Recherche d'un Besoin, 1962THM/452/11/1/72

Richard Strauss' Salome, 1949THM/452/11/1/73

Ring Round the Moon, 1950THM/452/11/1/74

The Road to Marat/Sade, 1965THM/452/11/1/75

The Road to Oaxaca, ca. 1960THM/452/11/1/76

On Russian Personality, 1961THM/452/11/1/77

Russian Realism, 1964THM/452/11/1/78

Russia's State of Siege, 1955THM/452/11/1/79

Russia's Theatre is the Actor's Ideal, 1956THM/452/11/1/80

Search for a Hunger, 1961THM/452/11/1/81

The Secret Dimension Quality, 1990-1992THM/452/11/1/82

Shakespeare et le théâtre contemporain, 1962THM/452/11/1/83

Six Questions à Peter BrookTHM/452/11/1/84

The Slot Machine, 1955THM/452/11/1/85

Strength Through Joy, 1959THM/452/11/1/86

Style in Shakespeare Production, 1948THM/452/11/1/87

Subsidised Audiences, 1963THM/452/11/1/88

Team Work and Personality: Peter Brook on Production Secrets, 1949THM/452/11/1/89

Tennessee Williams, 1957THM/452/11/1/90

Le Théâtre dans la Société, 1968THM/452/11/1/91

The Theatre in Britain: the Experimental Theatre Today, 1948THM/452/11/1/92

Theatre in Paris, 1946THM/452/11/1/93

A Theatre of Nerve-Ends, 1964THM/452/11/1/94

There is No War in Vietnam, 1968THM/452/11/1/95

The Unmistakable Swiss, 1959THM/452/11/1/96

US and the Undefeated Actor, 1966THM/452/11/1/97

Vietnam Film Rouses American Anger - and FantasyTHM/452/11/1/98

The Vitality of the English Stage, 1950THM/452/11/1/99

Ways of Telling an Immoral Tale, 1953THM/452/11/1/100

What About Real Life?, 1963THM/452/11/1/101

What Did Van Gogh See in a Chair, 1968THM/452/11/1/102

What the Russians Could Have Done to Me, 1956THM/452/11/1/103

Who Alienated Konstantin Stanislavsky, 1963THM/452/11/1/104

Why I'll Never Go Stale, 1957THM/452/11/1/105

Why Shakespeare, 1947THM/452/11/1/106

Working in France, Difference and Indifference, 1963THM/452/11/1/107

The Writing on the Wall, 1963THM/452/11/1/108

Untitled articles, 1954-2009THM/452/11/1/109

Books by Peter Brook, 1968-2013THM/452/11/2

Interviews and discussions with Peter Brook, 1947-2009THM/452/11/3

Prefaces by Peter BrookTHM/452/11/4

Programme notes by Peter BrookTHM/452/11/5

Questionnaire answers by Peter BrookTHM/452/11/6

Scripts, synopses and film treatments by Peter BrookTHM/452/11/7

Statements by Peter BrookTHM/452/11/8

Talks and lectures by Peter BrookTHM/452/11/9

Tributes to others by Peter BrookTHM/452/11/10

Notebooks, notes and research filesTHM/452/12

Books related to Peter Brook's productions, travels and friendsTHM/452/13

ProgrammesTHM/452/14

Press cuttings, 1937-2013THM/452/15

Awards, honorary degrees, distinctions and ceremoniesTHM/452/16

Personal papers and material relating to Peter BrookTHM/452/17

Audio materialTHM/452/18

Audio-visual materialTHM/452/19

International Centre for Theatre Research materialTHM/452/20

ThesesTHM/452/21

Artworks and designsTHM/452/22

Correspondence to and from Simon BrookTHM/452/23

Correspondence to Natasha ParryTHM/452/24

PostersTHM/452/25

Material related to Valentin Plouchek, 1955THM/452/26

Material related to Aleksej KozlovskyTHM/452/27

Glass plates of Peter Brook's correspondence 1936-1942THM/452/28