Artworks by Peter Evershed, including portraits of Dorothy Brett, Frieda Lawrence and Dylan Thomas painted in the early 1950s. Also present are two watercolour sketches of locations in Nottingham and Derby, executed in 1991.
Artworks of Peter Evershed (born 1925), 1950-1991
- This material is held at
- ReferenceGB 159 Ed
- Dates of Creation1950-1991
- Language of MaterialEnglish.
- Physical Description5 items
Scope and Content
Administrative / Biographical History
Peter Evershed was born on 5 February 1925. He spent almost all of the 1950s in America,primarily in New York where he associated with numerous artistic, jazz and literary personalities.In the early 1950s he was attached to a New York Gallery and met Dorothy Brett there when she washolding an exhibition. He later visited her in Taos, New Mexico where he met and painted FriedaLawrence, the widow of writer, D.H. Lawrence. Evershed also met Frieda at Aldous Huxley's home inCalifornia. Other literary figures painted by Evershed have included Dylan Thomas and W.H.Auden.
Evershed has lived most of his life in England and resided for a time in Derby. His portraits andlandscape scenes have been acquired by galleries and libraries world-wide, including the Universityof Texas and the National Gallery of Wales.
The collection has been divided into two series bringing like documents together. Series one comprises portraits; series two contains landscape sketches and other paintings.
Conditions Governing Access
ACCESS: Accessible to all registered readers. Readersare asked to use surrogate copies.
REPROGRAPHIC: Reprographic copies can be supplied for educational use and private study purposesonly, depending on access status and the condition of the documents.
Other Finding Aids
NOTE: Copyright on all Finding Aids belongs to the University of Nottingham.
- In the reading room of The University of Nottingham's Department of Manuscripts and Special Collections: Database catalogue, access via a member of staff.
- On the World Wide Web: Browse the catalogue in HTML.
Conditions Governing Use
COPYRIGHT: Permission to make published use of any material from this collection must be soughtin advance in writing from the Keeper of the Department of Manuscripts and Special Collections(email firstname.lastname@example.org). TheDepartment will try to assist in identifying copyright owners but this is often difficult and theresponsibility for copyright clearance before publication ultimately rests with the person wishingto publish.
The artworks were acquired by The University of Nottingham's Department of Manuscripts and Special Collections in 1997, 1998 and 2000.