Wild Lunch VI

This material is held at
Reference
Dates of Creation
Physical Description
Direct Link
- https://archiveshub.jisc.ac.uk/data/gb71-thm/372/thm/372/3/2/47

Scope and Content

Contains scripts for: Off Camera, by Marcia Layne; Jubilee Gardens, by Dystin Johnson; The Cut, by unknown; America Street, by Ali Taylor; Orpheus Road, by Ursula Rani Sarma; Southwark St, by Kevin Sheedy; Cold Harbour, by Gary Owen; Brixton Water, by Chloe Moss; Untitled play, by unknown.

Archive Record|Table of contents

Paines Plough Theatre Company ArchiveTHM/372

Papers relating to the running of Paines Plough Theatre CompanyTHM/372/1

Production recordsTHM/372/2

Literary recordsTHM/372/3

Prompt scriptsTHM/372/3/1

Drafts of ScriptsTHM/372/3/2

Music to Murder By, by David PownallTHM/372/3/2/1

Richard III-Part Two, by David PownallTHM/372/3/2/2

Motocar, by David PownallTHM/372/3/2/3

Inuit, by David MowatTHM/372/3/2/4

Barricade, by David PownallTHM/372/3/2/5

The Messiah of Ismir, by Elizabeth BondTHM/372/3/2/6

Jubilee Too, by Stephen JeffreysTHM/372/3/2/7

Rise of the Old Cloud, by Mike DorrellTHM/372/3/2/8

Days Here So Dark, by Terry JohnsonTHM/372/3/2/9

Breach of the Peace, Marcella Evaristi, Gerard Mannix Flynn, Dusty Hughes, Tunde Ikoli, Heathcote WilliamsTHM/372/3/2/10

Welcome Home, by Tony MarchantTHM/372/3/2/11

Red Saturday, by Martin AllenTHM/372/3/2/12

Mr Hyde, by Alan DruryTHM/372/3/2/13

Goat, by Louise PageTHM/372/3/2/14

Abolition, by Gabriel GdamosiTHM/372/3/2/15

Crux, by April De AngelisTHM/372/3/2/16

Augustine (Big Hysteria), by Anna FurseTHM/372/3/2/17

Down and Out in Paris and London, by George Orwell, adapted for the stage by Nigel GearingTHM/372/3/2/18

Crossfire, by Michel Azama, translated from Croisades, by Nigel GearingTHM/372/3/2/19

Splash, a work in progress, by Clare PalmierTHM/372/3/2/20

Wild Things, by Anna ReynoldsTHM/372/3/2/21

Wax, by Lavinia MurrayTHM/372/3/2/22

Strange Passenger, by Sonja LyndonTHM/372/3/2/23

Resurrection, by Maureen LawrenceTHM/372/3/2/24

Pow! by Adrian HealyTHM/372/3/2/25

Wild Lunch ITHM/372/3/2/26

Crazyhorse, by Parv BancilTHM/372/3/2/27

Wild Lunch IITHM/372/3/2/28

Sleeping Around, by Hilary Fannin, Stephen Greenhorn, Abi Morgan and Mark RavenhillTHM/372/3/2/29

Crave, by Sarah KaneTHM/372/3/2/30

Northern Exposure, part of Ticket to Write 1THM/372/3/2/31

Black on White Shorts, part of Ticket to Write 2THM/372/3/2/32

The Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union , by David GreigTHM/372/3/2/33

Riddance, by Linda McLeanTHM/372/3/2/34

Wild Lunch IIITHM/372/3/2/35

Western Front, part of Ticket to Write 3THM/372/3/2/36

Wild Lunch IV: Jubilee-Plays from UndergroundTHM/372/3/2/37

Splendour, by Abi MorganTHM/372/3/2/38

Two Women, by Debbie GreenTHM/372/3/2/39

Ticket to Write 4THM/372/3/2/40

Crazy Gary's Mobile Disco, by Gary OwenTHM/372/3/2/41

Wild Lunch VTHM/372/3/2/42

Tiny Dynamite, by Abi MorganTHM/372/3/2/43

Helmet, by Douglas MaxwellTHM/372/3/2/44

The Drowned World, by Gary OwenTHM/372/3/2/45

Seven Short Plays, part of Acting Up presented by Belgrade Youth Theatre and Paines PloughTHM/372/3/2/46

Wild Lunch VITHM/372/3/2/47

On Blindness, by Glyn CannonTHM/372/3/2/48

The Small Things, by Enda WalshTHM/372/3/2/49

PyreneesTHM/372/3/2/50

If Destroyed True, by Douglas MaxwellTHM/372/3/2/51

Wild Lunch: Fun SizeTHM/372/3/2/52

Scripts which were not produced by Paines Plough, though may have been commissionedTHM/372/3/3

Correspondence/documentation with authorsTHM/372/3/4

Literary CorrespondenceTHM/372/3/5

Reader's ReportsTHM/372/3/6

Playwright Schemes and AwardsTHM/372/3/7

Literary Policies and ProceduresTHM/372/3/8

PhotographsTHM/372/4

Press and marketing recordsTHM/372/5

Film and Sound recordingsTHM/372/6

Education and Workshop materialsTHM/372/7