Analog input for Oramics system

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Analog input for Oramics system

Inscribed on the back in pencil is the following;

'This way up 5/5
5A/6 MARTIN (ILFORD HP4)

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Archive Record|Table of contents

Daphne Oram ArchiveORAM

Computer CodeORAM/2

BBCORAM/3

Lectures, recorded music performances, work with schoolsORAM/4

Computer & Electronic Music AssociationsORAM/5

Published writing and drafts, performance programmes, press cuttings.ORAM/6

PhotographsORAM/7

Personal ImagesORAM/7/1

Tower Folly General ImagesORAM/7/2

BBC RadiophonicsORAM/7/3

Tower Folly Studio ImagesORAM/7/4

PresentationsORAM/7/5

Lecture transparenciesORAM/7/6

Nucleas sculptureORAM/7/7

Trinidad and Tobago Recording TripORAM/7/8

OramicsORAM/7/9

Negatives and photographs related to the Oramics MachineORAM/7/9/1

Daphne Oram working with the OramicsORAM/7/9/2

Daphne Oram using the Data Input on OramicsORAM/7/9/3

Daphne Oram using the Data Input on OramicsORAM/7/9/4

Daphne Oram using Oramics' data inputORAM/7/9/5

Daphne Oram standing in front of the Digital and Analogue Data InputORAM/7/9/6

Daphne Oram drawing dataORAM/7/9/7

Daphne Oram drawing data with OramicsORAM/7/9/8

Daphne Oram with the Oramics machineORAM/7/9/9

Daphne Oram with digital and analogue data inputORAM/7/9/10

Daphne with Digital and Analogue Data inputORAM/7/9/11

Daphne Oram using the OramicsORAM/7/9/12

Daphne Oram drawing timbres on the Oramics machineORAM/7/9/13

Daphne Oram drawing timbres on the Oramics machineORAM/7/9/14

Daphne Oram drawing timbres on the Oramics machineORAM/7/9/15

Daphne Oram drawing timbres on the Oramics machineORAM/7/9/16

Daphne Oram drawing timbres on the Oramics machineORAM/7/9/17

Daphne Oram drawing timbres on the Oramics machineORAM/7/9/18

Daphne Oram working with Data inputORAM/7/9/19

Portrait of Daphne OramORAM/7/9/20

Daphne Oram working with the OramicsORAM/7/9/21

Daphne Oram drawing dataORAM/7/9/22

Daphne Oram hovering over the digital and analogue data input.ORAM/7/9/23

Daphne Oram analyzing data valuesORAM/7/9/24

Daphne Oram using OramicsORAM/7/9/25

Daphne Oram using OramicsORAM/7/9/26

Envelope enclosing 3 strips of negatives from the Fred Wood Photographic sessionORAM/7/9/27

Daphne Oram's favourites from Fred Wood photo sessionORAM/7/9/28

Daphne Oram's favourites from Fred Wood's photo sessionORAM/7/9/29

Daphne Oram's favourite selection of Fred Wood's photographic session with the OramicsORAM/7/9/30

Daphne Oram's favourite selection of Fred Wood's photographic session with the OramicsORAM/7/9/31

Daphne Oram's favourite selection of Fred Wood's photographic session with the OramicsORAM/7/9/32

Daphne's favourite selection of Fred Wood's photographic session with the OramicsORAM/7/9/33

Daphne Oram drawing data in early stagesORAM/7/9/34

Daphne Oram with OramicsORAM/7/9/35

Daphne Oram with OramicsORAM/7/9/36

Daphne Oram in her studioORAM/7/9/37

Daphne Oram's hand. drawingORAM/7/9/38

Daphne Oram's hand, drawingORAM/7/9/39

Daphne Oram's hand, drawingORAM/7/9/40

Daphne Oram's Neumes Booklet resting on Oramics circuit boardsORAM/7/9/41

Neumes bookletORAM/7/9/42

The Oramics MachineORAM/7/9/43

The Oramics MachineORAM/7/9/44

The Oramics MachineORAM/7/9/45

The Oramics Machine from aboveORAM/7/9/46

Oramics timbre informationORAM/7/9/47

3 negatives of various circuitry and devicesORAM/7/9/48

Oramics circuit boardsORAM/7/9/49

Oramics circuit boardsORAM/7/9/50

Digital input for Oramics systemORAM/7/9/51

Photograph of hand drawn envelope slide for the Oramics systemORAM/7/9/52

The Oramics MachineORAM/7/9/53

Analog input for Oramics systemORAM/7/9/54

Daphne Oram drawing data in the early stages of OramicsORAM/7/9/55

Digital and Analog Oramics inputsORAM/7/9/56

Oramics transistor circuits for digital control of pitchORAM/7/9/57

Oramics transistor circuits for digital control of pitchORAM/7/9/58

Oramics in Daphne Oram's StudioORAM/7/9/59

Analogue Volume Tracks for OramicsORAM/7/9/60

Analogue Volume Tracks for OramicsORAM/7/9/61

Photograph of timbre waveshapes drawn on transparent slidesORAM/7/9/62

Photograph of timbre waveshapes drawn on transparent slidesORAM/7/9/63

The Oramics MachineORAM/7/9/64

Part of the Oramics MachineORAM/7/9/65

Digital and analogue inputs of the Oramics machine from aboveORAM/7/9/66

Equipment in Oramics studioORAM/7/9/67

Oramics Graphic Sound EquipmentORAM/7/9/68

Photograph of timbre waveshapes drawn on transparent slidesORAM/7/9/69

Analogue drawn input of the Oramics machineORAM/7/9/70

Overhead shot of Oramics machineORAM/7/9/71

Overhead shot of Oramics machine including Neumes bookORAM/7/9/72

The Oramics machineORAM/7/9/73

Circuitry within Oramics machineORAM/7/9/74

Circuitry within Oramics machineORAM/7/9/75

Circuitry from the Oramics machineORAM/7/9/76

Hand drawing volume envelopes for OramicsORAM/7/9/77

Inside the Oramics machineORAM/7/9/78

The Oramics machineORAM/7/9/79

The Oramics machineORAM/7/9/80

Close-up of drawn volume envelope input for OramicsORAM/7/9/81

Examples of Oramics Graphic WaveformsORAM/7/9/82

Inside the Oramics machineORAM/7/9/83

Inside the Oramics machineORAM/7/9/84

The Oramics MachineORAM/7/9/85

The Oramics MachineORAM/7/9/86

Part of the Oramics machineORAM/7/9/87

The Oramics MachineORAM/7/9/88

Circuitry from the Oramics MachineORAM/7/9/89

The Oramics MachineORAM/7/9/90

Closeup of the Oramics MachineORAM/7/9/91

Closeup of the Oramics Machine inputsORAM/7/9/92

Closeup of drawn volume - Oramics Machine inputsORAM/7/9/93

Oramics - drawn sound - figure 1ORAM/7/9/94

The Oramics Machine from aboveORAM/7/9/95

The Oramics MachineORAM/7/9/96

The Oramics MachineORAM/7/9/97

PRS LuncheonORAM/7/10

Karlheinz Stockhausen: Studie IIORAM/7/11

Scores, scripts and workingsORAM/8

Personal effects, diaries and correspondenceORAM/9

BooksORAM/10

Sound recordingsORAM/11

Published sound and film recordings of Daphne OramORAM/12

Research and writings related to Daphne Oram.ORAM/13