Howard Colvin Archive

Archive Collection

Scope and Content

The archive contains material collected by Colvin in the course of his research for the Dictionary of British Architects (2nd-4th editions). It includes correspondence with contributors and researchers; research notes; copies of published and unpublished articles and guides relating mainly to specific buildings. Colvin originally filed most of this material into the English Country House guides he bequeathed to the Centre, the remainder was found loose amongst the published material. The archive also includes copies of the published Dictionary, interleaved and heavily annotated by Colvin.

The material has been arranged into three sequences reflecting the manner in which it was originally organised by Colvin: material inserted into the Country House guides; material found loose; and annotated copies of the Dictionary. Where material has been physically removed from Country House guides, the link to the particular publication has been preserved and is referenced directly within the catalogue.

Administrative / Biographical History

Colvin, Sir Howard Montagu (1919-2007), architectural historian, was born on 15

October 1919 at Inglenook, 4 Longlands Park Road, Foots Cray, Kent, the elder son of Montagu

Colvin (1888-1938), an engineer's buyer, and his wife, Annie Winifred, née Randle (1888-1944), daughter of George Beavis Randle, photographer. He grew up in Sidcup, attending Merton Court School until 1933, when he became a boarder at Trent College in Nottinghamshire.

As a young boy Colvin was chiefly interested in the natural world. But as he grew older he became more and more intrigued by the built environment. By the time he was ready to leave school he was determined to become an archaeologist. Advised by Sir Mortimer Wheeler to read history as preparation, he entered University College, London, in 1937. There he specialized in medieval history. He was also involved in successive digs at Clarendon Palace near Salisbury. The disruption of the Second World War and the college's evacuation to Aberystwyth provided no obstacle to his achieving the highest academic honours-though it did prompt a publication on the buildings of the town. He graduated in 1940 with a first-class degree and the Rosa Morrison medal.

Colvin left college with more than just a degree. It was there that he met Christina Edgeworth Butler (1919-2003), a fellow student, daughter of the professor of Latin, Harold Edgeworth Butler, and granddaughter of Arthur Gray Butler, first headmaster of Haileybury College, and of the historian Albert Frederick Pollard. They were engaged in 1941 and married on 16 August 1943. They had three children: a daughter who died in infancy and two sons. It was at university, too, that Colvin first came up with the idea that was to make his name, a biographical dictionary of architects. He and a fellow student, David Young, knew little of modern art-historical methods but, as he later recalled, they 'did realise that the factual basis of English architectural history was hopelessly amateurish'. They concluded that the solution 'was to apply to architecture the ordinary processes of historical scholarship' (Colvin, Essays, 292). From 1938 onwards Colvin worked steadily on a book intended to do just that.

The war did not derail this work. In 1940 Colvin joined the RAF and became an aerial photography interpreter. In 1941 he was posted to Malta. Inevitably the island inspired an article on its architecture. The well-stocked Garrison Officers' Library proved to possess numerous books on British building, not least the nineteenth-century Biographical Dictionary of British Architects, which was to be central to Colvin's future work.

Demobilized in 1946, Colvin abandoned his ambitions of becoming an archaeologist and accepted John (J. E.) Neale's offer of an assistant lectureship in medieval history back at University College, London. A year later his circumstances changed completely. The election of the historian Austin Lane Poole as president of St John's College, Oxford, created a vacancy there for a tutor. Almost certainly pushed by his supervisor, Vivian (V. H.) Galbraith, who was a close friend of Lane Poole and who believed that Colvin was 'probably the best young mediaevalist since [Richard] Southern' (Galbraith to OUP, 2 Dec 1949, OUP archives, PB/ED 006473), he beat the formidable early modernist John (J. P.) Cooper to the job. In December 1947 Colvin was elected a fellow of St John's. Initially his term of appointment was only three years. In fact he was to stay for six decades.

Colvin found 'that Oxford was a place where, once established, one could do whatever one liked provided only that one did not neglect one's pupils' (Colvin, 'Early life', 11). He thus began what he called 'a double life as a medievalist and an architectural historian' (Musson, 120). The focus of his research quickly became the Biographical Dictionary of English Architects, 1660-1840, the contract for which was signed in 1949.

The Dictionary was published in 1954 and marked a revolution in architectural history. Colvin had done just what he planned when he was still a student at University College, London. He had applied the ordinary standards of historical scholarship to a subject still mired in amateur antiquarianism and what he called 'irresponsible attributionism' (Colvin, Essays, 294), that is the tendency to attribute buildings to the most famous architect of the period. Travelling the country, often accompanied by Rupert Gunnis, 'who used his old Etonian network ruthlessly', or Lawrence Stone, 'who got us into one reclusive ducal house by charming the Duke's former nanny over the phone' (Musson, 120), he pored over manuscripts and rewrote the architectural history of the period.

Colvin's Dictionary transformed the field. His careful use of documents and systematic survey of sources made it a model for subsequent studies. He was to rewrite it three more times. In 1978 the second edition extended the chronological range, starting in 1600. It also widened the geographical scope by including numerous Scottish architects. The third edition in 1995 was swelled by the inclusion of more minor names and Welsh architects. Finally, in 2008, the fourth edition was still bigger and more detailed. The work was not just exacting, it was also a good read. On publication of the second edition John Betjeman wrote to say that 'Each entry is as good as a thrilling short story... You have lifted architecture out of German art history into literature' (Betjeman to Colvin, 19 June 1978, Colvin MSS). The third and fourth editions were published by Yale University Press for the Paul Mellon Centre for Studies in British Art.

Colvin's achievements did not end there, however. Between 1951 and 1982 he was the general editor of the History of the King's Works (1963-82). He also published scores of articles, edited collections of building accounts and architectural drawings, and supervised a number of important doctoral theses. He wrote Unbuilt Oxford (1983), a history of failed architectural projects, and Architecture and the After-Life (1999), an ambitious survey of funerary buildings. His achievement in securing a significant building for the National Trust was celebrated in Calke Abbey : a Hidden House Revealed (1985).

This academic industry was rather grudgingly recognized by the University of Oxford, which made Colvin a reader in architectural history in 1965 (and abolished the post on his retirement in 1987); he was never made a professor. Outside the university, however, he was in great demand. He sat on the Royal Fine Arts Commission (1962-1972), the Royal Commission on Historical Monuments (1963-76), the Historic Buildings Council (1970-84), and the Royal Commission on Historical Manuscripts (1981-8). He was also a founding commissioner of English Heritage in 1984. He became a fellow of the British Academy in 1963, was appointed CBE in 1964 and CVO in 1983, and was knighted in 1995.

Howard Colvin was a small, shy, reserved man, often formal and sometimes a little remote. But he came alive when discussing architecture. He had an extraordinary visual memory and was hugely proud of having designed his own house, as well as an addition to the senior common room at St John's. He was also pleased to have been instrumental in commissioning the Architects' Co-Partnership to build the first modernist addition to the college. None the less, his real memorial was undoubtedly the Dictionary. He finished proofreading the fourth edition on 24 December 2007 and died in his sleep on 27 December at his home, 50 Plantation Road, Oxford. He was survived by his two sons.

Please note - this description is taken from William Whyte, 'Colvin, Sir Howard Montagu (1919-2007), Oxford Dictionary of National Biography, Oxford University Press, Jan 2011 [http://www.oxforddnb.com/view/article/99338, accessed 7 Sept 2011]

Arrangement

The material has been arranged into two series according to how it was organised when acquired by the Centre: papers removed from published material; additional research material (found loose amongst the other publications bequeathed to the Library).

Conditions Governing Access

Open

This collection is open for research. Readers must fill in an 'Reader Agreement Form' which outlines the reading room rules and conditions concerning privacy and Data Protection

Note

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Custodial History

In March 2008, Hugh Colvin wrote to the Paul Mellon Centre explaining that his father had bequeathed the following material to the Centre:

1. Copies of all theses on British architectural History acquired by me as supervisor or by the author's gift

2. The interleaved copies of the first three editions of my Biographical Dictionary of British Architects

3. A collection of modern guides to English Country Houses'

The material was collected in April 2008 and added to the Centre's Library. The process of accessioning and cataloguing revealed a small volume of archive material: correspondence with colleagues; research notes; copies of unpublished articles and reports. Some of this material had been inserted within the pages of the English Country House guides; the remainder was simply loose amongst the published material. It was removed and transferred to the Archive. The interleaved copies of the Dictionary - being heavily annotated by Colvin - were also removed from the Library & have been catalogued as part of the Archive.

Bibliography

A Biographical Dictionary of British Architects