Letter from Philip Larkin to Mavis Pindard (Faber and Faber)

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Scope and Content

Enclosing:

a) Letter from Bernie Reid to Philip Larkin requesting his permission to call her novel White Hours, 1 June 1984

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Archive Record|Table of contents

Papers of Philip Arthur LarkinU DPL

Poetry workbooksU DPL/1

Poetry typescriptsU DPL/2

Poetry publicationsU DPL/3

Prose and other manuscriptsU DPL/4

CorrespondenceU DPL/5

InterviewsU DPL/6

SpeechesU DPL/7

All Souls College, OxfordU DPL/8

PhotographsU DPL/9

MiscellaneousU DPL/10

Second DepositU DPL2

Manuscripts and related materialU DPL2/1

Correspondence filesU DPL2/2

Subject filesU DPL2/3

File. 'All What Jazz 1984'U DPL2/3/1

Artificial bundle. All What JazzU DPL2/3/2

File. 'Arts Council Literature Advisory Panel, 1980 - 1982'U DPL2/3/3

File. Arts Council Literature Advisory PanelU DPL2/3/4

File. 'Arts Council Poetry Panel' [National Manuscripts Collection of Contemporary Poets Committee]U DPL2/3/5

File. Arts CouncilU DPL2/3/6

File. Arts Council writers' bursariesU DPL2/3/7

Artificial file. Arvon Foundation Poetry CompetitionU DPL2/3/8

Artificial file. Authors' Lending and Copyright SocietyU DPL2/3/9

Artificial bundle. Martin BellU DPL2/3/10

File. Barry BloomfieldU DPL2/3/11

File. The Booker Prize for Literature 1977U DPL2/3/12

Files. British Library BoardU DPL2/3/13

File. British Library BoardU DPL2/3/14

File. Bain Dawes & Partners Ltd.U DPL2/3/15

File. 'Car'U DPL2/3/16

File. 'Comments on poems'U DPL2/3/17

File. CBEU DPL2/3/18

File. 'Compton Poetry Fund'U DPL2/3/19

Artificial bundle. ContributionsU DPL2/3/20

File. Companion of Literature AwardU DPL2/3/21

File. Coventry Award of MeritU DPL2/3/22

Artificial bundle. CricketU DPL2/3/23

File. Faber and FaberU DPL2/3/24

File. Faber and FaberU DPL2/3/25

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin regarding a new critical study of his workU DPL2/3/25/1

Correspondence between Philip Larkin and Mavis Pindard/Judith Fiennes (Faber and Faber) about breaches of copyright by a Turkish translator of his workU DPL2/3/25/2

Correspondence between Craig Raine (Faber and Faber) and Philip LarkinU DPL2/3/25/3

Correspondence between Judith Fiennes (Foreign Rights) and Philip Larkin about a Catalan translation of A Girl in WinterU DPL2/3/25/4

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin sending him a copy of Gekoski's Catalogue 3U DPL2/3/25/5

Letter from Philip Larkin to Mavis Pindard (Faber and Faber) thanking her for sending him three Oxford anthologiesU DPL2/3/25/6

Correspondence between Philip Larkin and Mavis Pindard (Faber and Faber)U DPL2/3/25/7

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin about Eavan Boland s review in The Irish TimesU DPL2/3/25/8

Letter from Mavis Pindard (Faber and Faber) to Philip Larkin informing him of the receipt of final copies of an agreement for the film rights to JillU DPL2/3/25/9

Letter from Craig Raine (Faber and Faber) to Philip LarkinU DPL2/3/25/10

Correspondence between Philip Larkin and Mavis Pindard (Permissions Manager, Faber and Faber) chasing up unauthorised use of his poetry by the BBCU DPL2/3/25/11

Correspondence between Alan Ross ( London magazine ) and Philip Larkin complaining about his rates for publishing poemsU DPL2/3/25/12

Correspondence between Philip Larkin and Mavis Pindard asking her to negotiate with Alan Ross ( London magazine )U DPL2/3/25/13

Letter from Philip Larkin to Mavis Pindard (Faber and Faber)U DPL2/3/25/14

Correspondence between Mavis Pindard (Faber and Faber) and Philip Larkin about printing of A Girl in Winter in large printU DPL2/3/25/15

Correspondence between John Bodley (Faber and Faber) and Philip Larkin about Ted Hughes possible selection as the new poet laureateU DPL2/3/25/16

Correspondence between Judith Fiennes (Foreign Rights, Faber and Faber) and Philip Larkin about a possible German translation of his poetryU DPL2/3/25/17

Correspondence between Charles Monteith (Faber and Faber) and Philip LarkinU DPL2/3/25/18

Correspondence between Mavis Pindard (Faber and Faber) and Philip Larkin sending his copy of the agreement for A Girl in WinterU DPL2/3/25/19

Letter from Charles Monteith (Faber and Faber) to Philip LarkinU DPL2/3/25/20

Letter from Judith Fiennes (Foreign Rights, Faber and Faber) to Philip Larkin sending him copies of Dutch translation of A Girl in Winter (2)U DPL2/3/25/21

Correspondence between Philip Larkin and Charles Monteith (Faber and Faber) sending him a page from an American thesis explaining the Old foolsU DPL2/3/25/22

Letter from Philip Larkin to George Hartley, with photocopies of the title-page from RecognitionsU DPL2/3/25/23

Letter from Philip Larkin to Mavis Pindard (Faber and Faber) about unauthorised use of his poetry in Recognitions 2U DPL2/3/25/24

Correspondence between Judith Fiennes (Foreign Rights, Faber and Faber) and Philip Larkin about a Dutch translation of his poetryU DPL2/3/25/25

Correspondence between Mavis Pindard (Faber and Faber) and Philip Larkin about the unauthorised use of his poetry in Recognitions 2U DPL2/3/25/26

Letters from Philip Larkin to Pauline Morbey (Royalty Controller, Faber and Faber) thanking her for his royalty statementsU DPL2/3/25/27

Correspondence between Mavis Pindard (Faber and Faber) and Philip Larkin concerning copyright permissionsU DPL2/3/25/28

Correspondence between Judith Fiennes (Foreign Rights, Faber and Faber) and Philip Larkin informing him of a proposal by Klett-Cotta to publish a bilingual German/English selection of his poetryU DPL2/3/25/29

Correspondence between Philip Larkin and Charles Monteith (Faber and Faber) passing on a reviewU DPL2/3/25/30

Correspondence between Philip Larkin and Craig Raine protesting about the proposed Philip Larkin/Douglas Dunn Faber cassette and objecting to the new cover design of High WindowsU DPL2/3/25/31

Letter from Fiona McCrae (Editorial Assistant, Faber and Faber) to Philip Larkin regarding feesU DPL2/3/25/32

Correspondence between Giles de la Mare (Faber and Faber) and Philip Larkin sending him a form of agreement for the Faber poetry cassetteU DPL2/3/25/33

Letter from Sarah Hardie (Faber and Faber) to Philip Larkin enclosing his contract for the Faber poetry cassetteU DPL2/3/25/34

Correspondence between Philip Larkin and Mark Le Fanu (Society of Authors) sending him a copy of the agreement he has concluded with Faber and Faber for the Faber poetry cassetteU DPL2/3/25/35

Correspondence between Craig Raine and Philip Larkin requesting six copies of the Faber poetry cassetteU DPL2/3/25/36

Correspondence between Desmond Clarke (Sales and Marketing Director, Faber and Faber) and Philip Larkin explaining the sales background to the Faber poetry cassetteU DPL2/3/25/37

Letter from Pauline Morbey (Royalty Controller, Faber and Faber) to Philip Larkin sending him royalty statementsU DPL2/3/25/38

Correspondence between Charles Monteith (Faber and Faber) and Philip Larkin sending a copy of his correspondence with Pauline MobeyU DPL2/3/25/39

Letter from Pauline Morbey (Royalty Controller, Faber and Faber) to Philip Larkin sorting out his accountU DPL2/3/25/40

Correspondence between Matthew Evans and Philip Larkin about the economics of publishingU DPL2/3/25/41

Correspondence between Mavis Pindard (Faber and Faber) and Philip LarkinU DPL2/3/25/42

Correspondence between Patrick Garland and Philip Larkin suggesting a presentation on stage of his autobiographical prose and poetryU DPL2/3/25/43

Correspondence between Mavis Pindard (Faber and Faber) and Philip Larkin sending him copies of new large print copies of A Girl in WinterU DPL2/3/25/44

File. FSSU vs. USS pension contributionsU DPL2/3/26

File. 'Jill: film and television rights'U DPL2/3/27

File. 'Hamburg' Shakespeare PrizeU DPL2/3/28

File. 'George Hartley (complaints against)'U DPL2/3/29

File. Thomas Hardy SocietyU DPL2/3/30

File. 'Thomas Hardy's death'U DPL2/3/31

File. 'High Windows'U DPL2/3/32

Artificial bundle. 'High Windows': reviewsU DPL2/3/33

File. Honorary Doctorate from Queen's University, BelfastU DPL2/3/34

File. 'Leicester, 1970'U DPL2/3/35

File. 'Sussex, 16.7.1974'U DPL2/3/36

Artificial bundle. 'Hull Daily Mail'U DPL2/3/37

File. Hull Daily Mail poetry competitionU DPL2/3/38

File. Humber BridgeU DPL2/3/39

Artificial bundle. InvitationsU DPL2/3/40

Artificial bundle. Jazz reviews and obituariesU DPL2/3/41

File. 'Larkinland'U DPL2/3/42

Bundle. Library Association Fellowship candidateU DPL2/3/43

File. Literary businessU DPL2/3/44

File. Literary businessU DPL2/3/45

File. Literary businessU DPL2/3/46

File. Other literary businessU DPL2/3/47

File. 'Philip Larkin's blues and other colours'U DPL2/3/48

File. Migration of English literary manuscripts to AmericaU DPL2/3/49

File. National Manuscripts Collection of Contemporary Writers CommitteeU DPL2/3/50

File. National Manuscripts Collection of Contemporary Writers CommitteeU DPL2/3/51

File. National Manuscripts Collection of Contemporary Poets Sub-CommitteeU DPL2/3/52

File. National Manuscripts Collection of ContemporaryPoets Sub Committee catalogue and exhibition 1967U DPL2/3/53

File. National Manuscripts Collection of Contemporary Poets Sub CommitteeU DPL2/3/54

Bundle. National Portrait GalleryU DPL2/3/55

File. Oxford Book of Twentieth Century English VerseU DPL2/3/56

Artificial bundle. Oxford Book of Twentieth Century English VerseU DPL2/3/57

File. Oxford Book of Twentieth Century English VerseU DPL2/3/58

File. Oxford Book of Twentieth Century English VerseU DPL2/3/59

File. Oxford Book of Twentieth Century English VerseU DPL2/3/60

File. Oxford book of modern verseU DPL2/3/61

File. New Oxford English DictionaryU DPL2/3/62

Artificial bundle. School and OxfordU DPL2/3/63

Bundle. Annual PEN anthology: New Poems 1958U DPL2/3/64

Artificial file. Performances, readings etc.U DPL2/3/65

File. Performing Rights SocietyU DPL2/3/66

File. Permissions fees or 'Why should it be the author who loses out?'U DPL2/3/67

File. Poetry Book SocietyU DPL2/3/68

File. Poetry SocietyU DPL2/3/69

File. Board of Management of Poetry Book SocietyU DPL2/3/70

File. Poetry Book Society PresidentU DPL2/3/71

File. Poetry Book Society. Choice and recommendationU DPL2/3/72

File. 'Poetry panel [of the Arts Council] - manuscripts'U DPL2/3/73

File. 'Barbara Pym'U DPL2/3/74

File. Queen's Gold Medal AwardU DPL2/3/75

Artificial file. QuotationsU DPL2/3/76

Artificial bundle. Required WritingU DPL2/3/77

File. Required WritingU DPL2/3/78

File. Royal Society of LiteratureU DPL2/3/79

Artificial bundle. Helen SpaldingU DPL2/3/80

File. 'SCONUL literature seminar, March 1979'U DPL2/3/81

File. 'Society of Authors: Committee of Management'U DPL2/3/82

File. South Bank ShowU DPL2/3/83

File. 'The Jenny Stratford catalogue'U DPL2/3/84

Bundle. TaxU DPL2/3/85

Bundle. TaxU DPL2/3/86

Bundle. TaxU DPL2/3/87

File. Tenancy: 32 Pearson Park, HullU DPL2/3/88

File. Tennyson manuscripts: sale by Lincoln County LibraryU DPL2/3/89

File. VATU DPL2/3/90

File. Watershed FoundationU DPL2/3/91

File. Vernon Watkins bibliographyU DPL2/3/92

File. Wellington Public LibraryU DPL2/3/93

Bundle. WH Smith Literature AwardU DPL2/3/94

File. The Whitsun Weddings and JillU DPL2/3/95

File. Who's Who entriesU DPL2/3/96

File. York Minster FundU DPL2/3/97

Artificial file. MiscellaneousU DPL2/3/98

Bundle. Miscellaneous reviewsU DPL2/3/99

Artificial bundle. Miscellaneous reviews and postcardsU DPL2/3/100

Bundle. MiscellaneousU DPL2/3/101

Bundle. MiscellaneousU DPL2/3/102

Artificial bundle. MiscellaneousU DPL2/3/103

Artificial file. Photographs and negativesU DPL2/3/104

Artificial file. CorrespondenceU DPL2/3/105

Artificial file. MiscellaneousU DPL2/3/106

Third DepositU DPL3

Fourth DepositU DPL4