Radio Children's Programmes Miscellaneous 1922-1962

  • This material is held at
  • Reference
  • Dates of Creation
      1922 - 1962
  • Name of Creator
  • Language of Material
      Primarily English, although some papers are written in foreign languages.
  • Physical Description
      Circa 520 files (c16.5 linear feet)

Scope and Content

The files contain miscellaneous clumps of papers relating to contributions towards radio Children’s Programmes before 1963. (The official dates for this Registry sequence were for papers created between 1922 and 1962, but Accession Books list files as dating from the 1930s onwards.) Many papers refer to the term ‘Children’s Hour’, which was the name given to the segment during which children’s programmes were broadcast. It was also the name given to the department responsible for these broadcasts before it became known as the Children’s Programmes (Sound) department in 1961.

These papers usually refer to contributors who had few or no bookings with the BBC Children’s Programmes (Sound) department before 1963 and were not considered to have enough paperwork to warrant their own personal file. If a contributor is not listed in the run of files for RCONT1 , they may have unlisted papers held within the RCONT5 files.

The papers mainly consist of correspondence between the BBC Children’s Hour department and external contributors. Correspondence was received from members of the public commenting on programmes that had been broadcast. Some correspondence was also received by children, asking for advice on writing and publishing for broadcast.

A majority of correspondence concerns requests made by contributors to feature their material in programmes for Children’s Hour. This material included music, poetry, talks, and stories. If a manuscript of such material was submitted, it would be passed on to a reading panel for review. The files contain ‘Manuscript submitted to Children’s Hour’ forms, which detail comments and opinions submitted by the reading panels. If the feedback was negative, a rejection letter would be sent to the author explaining the reason behind this decision. This could be due to a number of reasons such as the length of the work, the writing style or a general dislike of the subject the work covered. If the reading panel gave a positive review correspondence would continue with the author to improve the material and possibly arrange a booking. Booking requisition forms for this action can be found within the papers.

Contracts for these bookings are not generally found in this section. The material submitted for these programmes could incur copyright payments. Contracts were usually issued by the copyright section and are consequently held in the RCONT7 series (see ‘Related Units of Description’).

Administrative / Biographical History

The Central Registry administered large quantities of contracts and correspondence with contributors to various radio programmes. Different types of programme contribution required different types of contract, which were issued by different offices. Therefore, separate file sequences were held by the Central Registry for material concerning artists, speakers, scriptwriters, composers, music copyists, music publishers, children’s programmes, light entertainment and gramophone programmes. The copyright section also had its own sequence of files that covered television and radio contributors.

Whilst larger contract files were amalgamated into one sequence of personal files for main contributors, the files of smaller miscellaneous clumps retained their separate runs according to type of programme contribution and the different offices they originated from.


The series is arranged in a run of folders, each containing a number of small clumps of papers that are grouped together for each contributor. These clumps of papers were not deemed sufficiently bulky enough to warrant their own personal files, and so were filed as ‘miscellaneous’.

The papers are arranged alphabetically according to the surnames of contributors. The files containing the papers are therefore arranged in alphabetical sequence, although some popular surnames have their own separate file within the sequence.

The files are unnumbered, but each file is labelled with the alphabetical range it covers. There are currently no file lists of individual titles or file level descriptions available.

The papers in this sequence are held within grey file covers, distinguishing them from the buff coloured personal files of RCONT1 .

Physical Characteristics and/or Technical Requirements

Grey files containing written material pinned in clumps.

Custodial History

These files were originally created and held by the Central Registry. Papers were forwarded to the Registry from the relevant booking departments of the BBC, who were responsible for booking artists for performances.

The continual increase in paperwork holdings led to difficulties with storage space in the late 1960s. At the time ‘nominal’ files were housed in the Central Registry, registry stores, and other locations across the BBC, such as Ware.

The process of reorganising the Central Registry holdings began towards the end of 1968. A proposal was put forward to amalgamate all holdings and then to split the files into two distinct groups according to date. Papers dating to 31 December 1962 would be stored at Caversham, whilst later papers would remain with the Registry in London. Semi-current files from 1 January 1963 to 31 December 1967 would be held in a storage area of the Langham whilst files dating from 1 January 1968 would be kept as the current group of files on the ground floor.

It was originally suggested that the grouping of files would continue in five year runs. When the ‘current’ grouping of files reached the end of the five year period they would be moved to the store to make space for new run of files to be opened on the ground floor. Those already held in store would be transferred to Caversham. This arrangement led to the first three sequences of radio contributor files covering the following periods; circa 1922 to 1962, 1963 to 1967, and 1968 to 1972. However, in 1976 the Chief Registry and Records Officer suggested that the next split should be made after 10 years rather than 5 due to space and the costs incurred by the purchase of new file covers.

In 1975 the Written Archives Centre in Caversham assumed responsibility for the pre-1963 files it had been storing on behalf of the Central Registry. These files would be accessioned as the RCONT1 series. The Written Archives Centre also assumed responsibility for the concurrent runs of ‘miscellaneous’ files, which were accessioned as RCONT2 - RCONT11 .

Due to the transfer of the files from being stored to permanently held by Caversham, the date that these files were received by the Written Archives Centre has been recorded as 1975 in the accession books.

Whilst the RCONT5 series was accessioned, no file list of individual titles or similar finding aid was created.

Related Material

BBC/R/RCONT/RCONT1 is a concurrent run that consists of files for individual contributors. The files hold correspondence and contractual papers before 1963. These are ‘main’ files where there were sufficient papers on one contributor to warrant personal files with individual titles. The files for these contributors from different departments were amalgamated into one run within the RCONT1 series.

BBC/R/RCONT/RCONT2 - RCONT4 and BBC/R/RCONT/RCONT6 - RCONT11 are concurrent runs of miscellaneous papers dating before 1963. Similar to, they hold the papers of those who generated an insufficient quantity of material to warrant the creation of a personal file. They originated from the different departments under radio and hold papers for those who were not classed as contributors to children’s programmes. The RCONT7 series consists of files dealing with requests for permission and payment to individuals or bodies for the use of their copyright material in television and radio programmes. Contracts for scriptwriters can be found in this section.

Later radio contributor papers are held in continuing sequences under the sub-sub-fonds BBC/R/RCONT: Radio Artists and Contributors .

The sub-sub-fonds BBC/T/TVART: Television Artists and Contributors holds equivalent files for this period for television contributors in the TVART1 and TVART2 series. Later papers are held in continuing sequences in this section.

The sub-fonds BBC/NR: Nations and Regions holds contributor files for bookings that were made outside of London ( BBC/NR/M: Midlands Region, BBC/NR/NI: Northern Ireland, BBC/NR/N: North Region, BBC/NR/SC: Scotland, BBC/NR/SE: South East Region, BBC/NR/SW: South West Region, BBC/NR/WA: Wales and BBC/NR/WE: West Region ). Some artists may have papers in both the sub-sub-fonds BBC/R/RCONT and sub-fonds BBC/NR .

Long Term Contracts for contributors may be found in separate series under BBC/T/TVART/T49 for television and BBC/R/RCONT/R94 for radio.

BBC/R/PRR/R11: Children’s Hour consists of papers that relate to the policy, programming and non-broadcasting activities of the radio Children’s Hour department.

Scripts for Children’s Programmes, held on microfilm, can be found in BBC/R/PDR/RS6:Children’s Programmes .