Page-Pughe

  • This material is held at
  • Reference
      GB 3010 BS/2/3/16
  • Dates of Creation
      [1978-2014]
  • Language of Material
      English
  • Physical Description
      1 file (26 letters; 2 cards; 1 essay; 33 photographs; 1 invitation; 2 pages of typed notes)

Scope and Content

Includes:

-two letters from Simon Page, dated 24 February 2013 and undated, concerning his exhibitions

-letter from Emma Parker, ING Discerning Eye Exhibition, dated 24 February 2011 asking Sewell for his selector's written piece. Also includes Sewell's typed notes dated 6 April 2011.

-four letters, one invitation to a private view, and thirty three photographs (some with annotations) from Anthony Montague [Monty] Parkin, artist, dated 20 April 2011-27 February 2012, concerning his work

-card from Andrew Paterson, artist, undated, inviting Sewell to his solo exhibition

-two letters from Angela Patmore, author, dated 9 July 2010 and 28 August 2014, concerning her book about dogs

-letter from Matthew Paton, dated 7 July 2014, concerning Christie's, and Sewell's health

-letter from Keith Patrick, dated 1 September 1986, concerning writing as an art critic

-letter from Ian Partridge, British tenor, dated 7 September [?], concerning music and the Edinburgh Festival

-letter from Sir Les Patterson [Barry Humphries], dated 26 February 1992, concerning Sewell's article about Australians

-letter from Sir Geoffrey Pattie, dated 6 December 2011, concerning an exhibition of his wife's work, the artist Tuema Pattie

-two letters and a draft essay titled 'Curtains and Masks in Vermeer: The Secrets of Three Paintings', from Alan Paul, dated 27 August and 13 October 2004, asking Sewell for an opinion on his research

-letter from Andrew Pearson, dated 20 December 2006, concerning a painting by Anthony Whishaw

-letter from Jenny Pearson, dated 17 January 2007, concerning the memoirs of her late husband, Tony Pearson

-two letters from John Pearson, dated 7 December 2005 and 30 January 2006, concerning his book on the Sitwell family

-seven letters between Sewell and Sir Nicholas Penny, art historian, dated 1 May 1983-11 August 2010, concerning Sewell's writing

-letter from Anthony Perry, husband of the artist Evelyn Williams, dated 28 March 2013, concerning her work

-four letters and a card between Sewell and Deanna Petherbridge, artist and curator, dated 25 November 1999-6 September 2011, concerning her work

-letter from Norman Philbrick, dated 22 February 1978, concerning the cleaning of paintings

-letter from Jean Philpott, S.E. and London Representative, J.R. Whippet Centre, dated 7 March 2005, concerning Sewell's article about dogs

-letter from Stefano Pillinini, dated 23 February 2005, concerning printed material sent to Sewell about John Ruskin and the fall of the Venetian Empire

-letter from Josephine Pithon, dated 10 April 1996, concerning a recipe Sewell mentioned in an article about the South of France

-letter from Victoria Pomery, Director, Turner Contemporary, dated 16 December 2011, concerning the opening of the gallery

-letter from Mungo Powney, artist, dated 21 August 2007, concerning various subjects including his work

-letter from Deda Fezzi Price, dated 26 March 2015, concerning Sewell's work

-letter from Patrick Procktor, artist, dated 29 April 1993, asking Sewell to write a preface to an exhibition catalogue of his work

-two letters between Sewell and Gabrielle Pughe-Morgan, dated 6-10 January 2000, concerning Sewell answering questions for her dissertation

Access Information

Open

Open for research. Readers must fill in an 'Reader Agreement Form' which outlines the reading room rules and conditions concerning privacy and Data Protection