Production management material for What's Left Now?

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Scope and Content

Design for programme and description of production.

Archive Record|Table of contents

Unity Theatre, theatre company: recordsTHM/9

Company Management recordsTHM/9/1

Artistic and Production Management recordsTHM/9/2

Production Management materialTHM/9/2/1

Production management material for Babes in the Wood by Robert Mitchell, Geoffrey Parsons and Berkeley FaseTHM/9/2/1/1

Production management material for Colony written by Geoffrey TreaseTHM/9/2/1/2

Production management material for The AmazonsTHM/9/2/1/3

Production management material for Star ParadeTHM/9/2/1/4

Production management material for The Rosenbergs written by Eric Paice and William BlandTHM/9/2/1/5

Production management material for The Shoemaker's Holiday written by Thomas DekkerTHM/9/2/1/6

Production management material for PeacemealTHM/9/2/1/7

Production management material for The Trojan Women written by Euripides, translated by Gilbert MurrayTHM/9/2/1/8

Production management material for Nekrassov written by Jean-Paul Sartre, translated by Sylvia and George LeesonTHM/9/2/1/9

Production management material for Polly written by John GayTHM/9/2/1/10

Production management material for The Exception and the Rule written by Bertolt Brecht, translated by Eric Bentley, Bill Norton and Frank WaglandTHM/9/2/1/11

Production management material for Burlesque by Bill OwenTHM/9/2/1/12

Production management material for the Trade Union and Labour Movement conferenceTHM/9/2/1/13

Production management material for The Biggest Thief in Town written by Dalton TrumboTHM/9/2/1/14

Production management material for Wally Pone written by Lionel Bart, loosely based on Ben Jonson's VolponeTHM/9/2/1/15

Production management material for A Rocket for the Governor written by A. Garson and G. KellyTHM/9/2/1/16

Production management material for Anna Christie written by Eugene O'NeillTHM/9/2/1/17

Production management material for The Big Win written by Sholem Aleichem, adapted by ID Berkowitz, translated by Tamara KahanaTHM/9/2/1/18

Production management material for The Seagull written by Anton Chekhov, translated by David MagarshackTHM/9/2/1/19

Production management material for You Won't Always Be On Top written by Henry ChapmanTHM/9/2/1/20

Production management material for Androcles and the Lion written by George Bernard ShawTHM/9/2/1/21

Production management material for The Misadventures of Mr Pickwick written by Charles Dickens, adapted by Arnold Hinchliffe and Frank WaglandTHM/9/2/1/22

Production management material for The Lower Depths by Maxim GorkiTHM/9/2/1/23

Production management material for The Affluent Athenian written by Derek HallTHM/9/2/1/24

Production management material for The Recruiting Officer written by George FarquharTHM/9/2/1/25

Production management material for And Him Stretched written by Patrick GalvinTHM/9/2/1/26

Production management material for The High Jinks of Bishop Saul written by Vic JonesTHM/9/2/1/27

Production management material for Spring '71 written by Arthur Adamov, translated by Arnold Hinchliffe and Jim SluznyTHM/9/2/1/28

Production management material for School for Wives written by Moliere, adapted by Mile MallesonTHM/9/2/1/29

Production management material for East Lynne written by Mrs Henry Wood / Music HallTHM/9/2/1/30

Production management material for See a Man Falling written by Jo JosephTHM/9/2/1/31

Production management material for The Deviates written by Don MathewsTHM/9/2/1/32

Production management material for double bill of The Scavengers written by Arthur Adamov, translated by Tom Vaughan / The Fury of Phillip Hotz written by Max Frisch, translated by Michael BullockTHM/9/2/1/33

Production management material for The Man who Bought a Battlefield written by Frank MarcusTHM/9/2/1/34

Production management material for Unity and the UnionsTHM/9/2/1/35

Production management material for A Doll's House written by Henrik IbsenTHM/9/2/1/36

Production management material for Port and LemonTHM/9/2/1/37

Production management material for The Good Woman of Szechwan written by Bertolt Brecht, translated by John WillettTHM/9/2/1/38

Production management material for Everything in the Garden written by Giles CooperTHM/9/2/1/39

Production management material for The Licence written by Ephraim KishonTHM/9/2/1/40

Production management material for Squaring the Circle written by Valentin Katayev, translated by Eugene Lyons and Charles MalamuthTHM/9/2/1/41

Production management material for The Caucasian Chalk Circle written by Bertolt Brecht, translated by Eric BentleyTHM/9/2/1/42

Production management material for God Bless the Guv'norTHM/9/2/1/43

Production management material for Yegor Bulichov written by Maxim GorkyTHM/9/2/1/44

Production management material for Chicken Soup with Barley written by Arnold WeskerTHM/9/2/1/45

Production management material for Julius Caesar written by William ShakespeareTHM/9/2/1/46

Production management material for There's a Megabutton on my Living Room Floor written by Stuart DouglasTHM/9/2/1/47

Production management material for Sweeney Todd written by George Dibdin Pitt / Music HallTHM/9/2/1/48

Production management material for Death of a Salesman written by Arthur MillerTHM/9/2/1/49

Production management material for The Playboy of the Western World written by JM SyngeTHM/9/2/1/50

Production management material for Inherit the Wind written by Jerome Lawrence and Robert E LeeTHM/9/2/1/51

Production management material for Little Malcolm and his Struggle Against the Eunuchs written by David HalliwellTHM/9/2/1/52

Production management material for John D Muggins is Dead and Mr Oligarchy's CircusTHM/9/2/1/53

Production management material for The Don't Just Sit There ShowTHM/9/2/1/54

Production management material for AntigoneTHM/9/2/1/55

Production management material for The Feather Pluckers written by John Peter JonesTHM/9/2/1/56

Production management material for Dirty Work at the Crossroads adapted by William JohnsonTHM/9/2/1/57

Production management material for Billy Liar written by Keith Waterhouse and Willis HallTHM/9/2/1/58

Production management material for Say Uncle written by Lester ColeTHM/9/2/1/59

Production management material for The Rent written by Theodore RoszakTHM/9/2/1/60

Production management material for Epitaph for George Dillon written by John Osborne and Anthony CreightonTHM/9/2/1/61

Production management material for The Frogs and Co...Axed! by Raymond Cross and Bert Bennett, based on AristophanesTHM/9/2/1/62

Production management material for The Mother written by Bertolt Brecht, translated by Lee BaxandallTHM/9/2/1/63

Production management material for A Case for Euthanasia written by John ClarkeTHM/9/2/1/64

Production management material for The Agony written by Ogi EgbunaTHM/9/2/1/65

Production management material for Triple Bill: Professor Taranne / Dock Brief / The Waiting RoomTHM/9/2/1/66

Production management material for the London Co-Op festivalTHM/9/2/1/67

Production management material for The Bolsheviks written by Mikhail Shatrov, translated by Robert DaglishTHM/9/2/1/68

Production management material for The Demonstration written by David CauteTHM/9/2/1/69

Production management material for The Dragon written by Yevgeny Schwartz, translated by Max Hayward and Harold ShukmanTHM/9/2/1/70

Production management material for Captain Swing at the Penny Gaff written by Paul ThompsonTHM/9/2/1/71

Production management material for They Made Me a Present of Mornington Crescent written by Arnold HinchliffeTHM/9/2/1/72

Production management material for In Place of Strife written by Phil WoodsTHM/9/2/1/73

Production management material for The Chinese Machine written by Frank DuxTHM/9/2/1/74

Production management material for Robert Owen written by James Gregson, adapted by Arnold HinchliffeTHM/9/2/1/75

Production management material for Pins and Needles written by Harold Rome, revised by Bernard SarronTHM/9/2/1/76

Production management material for Waiting for Lefty written by Clifford OdetsTHM/9/2/1/77

Production management material for double bill of Huis Clos written by Jean-Paul Sartre, translated by Stuart Gilbert / A Matter of Convenience written by Richard MossTHM/9/2/1/78

Production management material for Bull Durham written by Jeremy NewsomeTHM/9/2/1/79

Production management material for L'Avare written by MoliereTHM/9/2/1/80

Production management material for How We Knocked 'em in the Old Kent Road written by Raymond CrossTHM/9/2/1/81

Production management material for Partitions written by Michael Cahill, joint production with London Group ProductionsTHM/9/2/1/82

Production management material for Tom Barker of Camden and the World written by Arnold HinchliffeTHM/9/2/1/83

Production management material for At Enormous Expense by Eric MasonTHM/9/2/1/84

Production management material for The Way of the World written by William CongreveTHM/9/2/1/85

Production management material for The Reign of Terror and the Great Money Trick, adapted from The Ragged Trousered PhilanthropistsTHM/9/2/1/86

Production management material for By My Life written by Noah ElsteinTHM/9/2/1/87

Production management material for The Concert at St Ovide written by Antonio Buero Vallejo, translated by Victor DixonTHM/9/2/1/88

Production management material for New Positions written by Norris HarveyTHM/9/2/1/89

Production management material for The Jump written by Alfio BernabeiTHM/9/2/1/90

Production management material for Vietnam - The 'Postwar' War by Raymond Cross and othersTHM/9/2/1/91

Production management material for Case for a Rebel written by Emmanuel Robles, translated by James and Marie KilkerTHM/9/2/1/92

Production management material for 10 Nights in a Bar Room written by William PrattTHM/9/2/1/93

Production management material for double bill of The Police written by Slavomir Mrozek / Saxon written by Dedwynn JonesTHM/9/2/1/94

Production management material for The Tigers are Coming, OK? written by Alan PlaterTHM/9/2/1/95

Production management material for Widowers' Houses written by George Bernard ShawTHM/9/2/1/96

Production management material for Storm WarningTHM/9/2/1/97

Production management material for MemoriesTHM/9/2/1/98

Production management material for Common Will Against the Giant written by David Craig and Nigel GrayTHM/9/2/1/99

Production management material for The Bureaucracy Show written by Jack BinghamTHM/9/2/1/100

Production management material for Mad TomTHM/9/2/1/101

Production management material for Then written by David Campton / The Clyde is Red by George ByattTHM/9/2/1/102

Production management material for Then by David Campton / Bikini Fable by Gadfan MorrisTHM/9/2/1/103

Production management material for New Positions by Norris HarveyTHM/9/2/1/104

Production management material for Comprehensive Cuts written by Vic JonesTHM/9/2/1/105

Production management material for A Tribute to Laurie Davies Music HallTHM/9/2/1/106

Production management material for Music Hall at Hackney EmpireTHM/9/2/1/107

Production management material for What's Left Now?THM/9/2/1/108

Production management material for Mind the Gap! by Ian FlintoffTHM/9/2/1/109

Production management material for Major Minor, a Topical ReviewTHM/9/2/1/110

Production management material for Horseman Pass By by Daniel MageeTHM/9/2/1/111

Notes for set design by Ernest BrooksTHM/9/2/1/112

Memorandum regarding 1939 PantomimeTHM/9/2/1/113

Script selection recordsTHM/9/2/2

Sheet music and lyricsTHM/9/2/3

Finance and Membership recordsTHM/9/3

Press and Marketing recordsTHM/9/4

PhotographsTHM/9/5

Related Organisations recordsTHM/9/6

ScriptsTHM/9/7